The essential elements of singing are voice, musicianship, and story. It is the rare artist that has all three in abundance.
Linda RonstadtRead
I first knew Laurie Lewis by her considerable reputation as a fiddle player and a writer of songs. When an opportunity came along to sing with her I seized it. Getting to know her as a singer and a person has been pure pleasure. Her voice is a rare combination of grit and grace, strength and delicacy. Her stories are always true.
Interpretation
This quote reflects on the admiration and joy of collaborating with a talented artist.
Linda Ronstadt expresses her appreciation for Laurie Lewis, highlighting her exceptional skills as a fiddle player and songwriter. The quote emphasizes the joy derived from both the musical partnership and the personal connection, praising Lewis's unique vocal qualities and authentic storytelling, which resonate deeply with Ronstadt.
In practice
This quote could be shared at a music festival to celebrate the power of collaboration.
The essential elements of singing are voice, musicianship, and story. It is the rare artist that has all three in abundance.
I don't record (any type of genre of music) that I didn't hear in my family's living room by the time I was 10. It just is my rule that I don't break because ... I can't do it authentically ... I really think that you're just hard-wiring (synapses) in your brain up until the age of maybe 12 or 10, and there are certain things you can't learn in an authentic way after that.
I miss singing every day. I can't sing anymore. My voice doesn't work. I have Parkinson's disease, and it sometimes takes my words away from me.
Songwriting wasn't my gift. I think you have to cultivate a gift; you have to practice and develop craft around your gift so that you can execute it in more convenient, efficient ways.
Ninety-nine percent of singing is listening and hearing, and so then 1 percent of it is singing.
Ninety-eight percent of the singing I did was private singing - it was in the shower, at the dishwasher, driving my car, singing with the radio, whatever. I can't do any of that now. I wish I could. I don't miss performing, particularly, but I miss singing.
The challenge is to keep up with all the new poets at the same time I love the old ones.
The greatest films ever made in our history were cut on film, and I'm tenaciously hanging on to the process. I just love going into an editing room and smelling the photochemistry and seeing my editor wearing mini-strands of film around his neck.
Many foreigners have asked me how we made the Danish style. And I've answered that it...was rather a continuous process of purification, and for me of simplification, to cut down to the simplest possible elements of four legs, a seat and combined top rail and arm rest.
A street is a story in asphalt - so it's a paradox that the streets are the one place where the movies play fast and loose with continuity, something to which L.A. streets lend themselves as naturally as does the city's psyche.
Bullfighting is the only art in which the artist is in danger of death and in which the degree of brilliance in the performance is left to the fighter's honor.
At all ages, if [fantasy and myth] is used well by the author and meets the right reader, it has the same power: to generalize while remaining concrete, to present in palpable form not concepts or even experiences but whole classes of experience, and to throw off irrelevancies. Bat at its best it can do more; it can give us experiences we have never had and thus, instead of 'commenting on life,' can add to it.
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