The essential elements of singing are voice, musicianship, and story. It is the rare artist that has all three in abundance.
Linda RonstadtRead
Ninety-nine percent of singing is listening and hearing, and so then 1 percent of it is singing.
Interpretation
Effective singing requires more listening than actual performing.
In this quote, Linda Ronstadt emphasizes the importance of listening and understanding in the art of singing. She suggests that to be a great singer, one must first hone their ability to hear and analyze music, which constitutes the vast majority of the process, while the act of singing itself plays a comparatively minor role.
In practice
During a workshop on vocal technique, I shared this quote to stress the importance of ear training.
The essential elements of singing are voice, musicianship, and story. It is the rare artist that has all three in abundance.
I don't record (any type of genre of music) that I didn't hear in my family's living room by the time I was 10. It just is my rule that I don't break because ... I can't do it authentically ... I really think that you're just hard-wiring (synapses) in your brain up until the age of maybe 12 or 10, and there are certain things you can't learn in an authentic way after that.
I miss singing every day. I can't sing anymore. My voice doesn't work. I have Parkinson's disease, and it sometimes takes my words away from me.
I first knew Laurie Lewis by her considerable reputation as a fiddle player and a writer of songs. When an opportunity came along to sing with her I seized it. Getting to know her as a singer and a person has been pure pleasure. Her voice is a rare combination of grit and grace, strength and delicacy. Her stories are always true.
Songwriting wasn't my gift. I think you have to cultivate a gift; you have to practice and develop craft around your gift so that you can execute it in more convenient, efficient ways.
Ninety-eight percent of the singing I did was private singing - it was in the shower, at the dishwasher, driving my car, singing with the radio, whatever. I can't do any of that now. I wish I could. I don't miss performing, particularly, but I miss singing.
I've never been the straight rapper that is going to stand in a cipher and battle all day. I started off battle rapping, but to me, making songs became more important than freestyles... I've met many rappers who can freestyle but can't make a record.
I never considered myself part of rock 'n' roll. My stuff was more adult. It was more difficult for teenagers to relate to; my stuff was filled with more despair than anything you'd associate with rock 'n' roll. Since I couldn't see people dancing, I didn't write jitterbugs or twists. I wrote rhythms that moved me. My style requires pure heart singing.
There's a new hit rock group or singer every five minutes, but with country music, you have one hit and those people love you forever.
Jet, I can almost remember their funny faces
Michael Bloomfield came in after rock n roll started, and he was a great guitarist. He idolized me - I know that. What else can I say ? he was a young, excitable man. To him, drugs were plentiful, and that was no good. I talked to him like he was a son of mine. He was a great and he was gonna be greater. But he was part of the "in-crowd" and so he never got there
My mom had early rap records, like Jimmy Spicer. In the middle of the records was a turntable and a receiver - I used to scratch records on it - and on top was a reel-to-reel. In front of that wall were more stacks of records. It was either Mom's record or Pop's record, and they had their names on each and every one.
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