The essential elements of singing are voice, musicianship, and story. It is the rare artist that has all three in abundance.
Linda RonstadtRead
Ninety-nine percent of singing is listening and hearing, and so then 1 percent of it is singing.
Interpretation
Effective singing requires more listening than actual performing.
In this quote, Linda Ronstadt emphasizes the importance of listening and understanding in the art of singing. She suggests that to be a great singer, one must first hone their ability to hear and analyze music, which constitutes the vast majority of the process, while the act of singing itself plays a comparatively minor role.
In practice
During a workshop on vocal technique, I shared this quote to stress the importance of ear training.
The essential elements of singing are voice, musicianship, and story. It is the rare artist that has all three in abundance.
I don't record (any type of genre of music) that I didn't hear in my family's living room by the time I was 10. It just is my rule that I don't break because ... I can't do it authentically ... I really think that you're just hard-wiring (synapses) in your brain up until the age of maybe 12 or 10, and there are certain things you can't learn in an authentic way after that.
I miss singing every day. I can't sing anymore. My voice doesn't work. I have Parkinson's disease, and it sometimes takes my words away from me.
I first knew Laurie Lewis by her considerable reputation as a fiddle player and a writer of songs. When an opportunity came along to sing with her I seized it. Getting to know her as a singer and a person has been pure pleasure. Her voice is a rare combination of grit and grace, strength and delicacy. Her stories are always true.
Songwriting wasn't my gift. I think you have to cultivate a gift; you have to practice and develop craft around your gift so that you can execute it in more convenient, efficient ways.
Ninety-eight percent of the singing I did was private singing - it was in the shower, at the dishwasher, driving my car, singing with the radio, whatever. I can't do any of that now. I wish I could. I don't miss performing, particularly, but I miss singing.
I didn't want to play it boring and safe. I also didn't want to innovate too much. Second albums, man, they're even scarier than first ones.
This is the thing about hip-hop music and where people get it most misconstrued: It's all hip-hop. You can't say that just what I do is hip-hop, because hip-hop is all energies. James Brown can get on the track and mumble all day. But guess what? You felt his soul on those records.
It (jazz) isn't like it used to be. The guys aren't together. They're all separated. Individuals now. Bird was a symbol. It was a clique, a clique of people. Who all believed in one thing: gettin' high. And playin'.
I don't rely on my figure to sell records.
You can go out and find ways to make your own record and get it out there now. If you really want to, you can be heard. Keep things simple. Learn to go out and play solo. That's a really really good thing to learn, if you're a singer-songwriter. Don't be dependent on a band because you may not always be able to afford one.
My driving philosophy about making music is that you can reduce it all down to one note if that note is played with the right kind of sincerity.
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