I am performing this role of the artist and this role of the 'negress' coming into a white-box institution. It's kind of a self-appointed role: the self-designated negress.
I was making big paintings with mythological themes. When I started painting black figures, the white professors were relieved, and the black students were like, 'She's on our side.' These are the kinds of issues that a white male artist just doesn't have to deal with.
Interpretation
What this quote means
Kara Walker discusses the complexities of race in art and how her work is perceived differently by various audiences.
Kara Walker reflects on her experiences as an artist confronting race and identity through her art. She highlights the dichotomy between the expectations placed on her as a black female artist and the privilege that white male artists often enjoy, suggesting that her choice to depict themes related to race resonates with her black students while also evoking a sense of relief among her white peers, revealing the nuanced dynamics of racial representation in the art world.
Themes
In practice
Example use cases
In a lecture about racial dynamics in contemporary art, you could use this quote to highlight the different perspectives that artists face based on their identity.
More from Kara Walker
All quotes →There's no diploma in the world that declares you as an artist—it's not like becoming a doctor. You can declare yourself an artist and then figure out how to be an artist.
I didn’t want a completely passive viewer. Art means too much to me. To be able to articulate something visually is really an important thing. I wanted to make work where the viewer wouldn’t walk away; he would giggle nervously, get pulled into history, into fiction, into something totally demeaning and possibly very beautiful
Sugar crystallizes something in our American Soul. It is emblematic of all Industrial Processes. And of the idea of becoming white. White Being equated with pure and ‘true’ it takes a lot of energy to turn brown things into white things. A lot of pressure.
It feels like a game, this work I do. It is totally heartfelt, and I love the sticky terrain, the straight-up cartoons, how the irrepressible and icky rise to the surface. But I am not just trying to call forth bugaboos and demons for the sake of it, for fun.
Once you open up the Pandora's box of race and gender... you're never done.
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Every year, Hollywood is looking for that new, white leading man and new white starlet that audiences fall in love with. But they're not looking for the next Denzel Washington, Will Smith or Sidney Poitier.
To make films, you have to have something to say. To have something to say, you have to be a student of life. And to be a student of life, you have to be feeding yourself with what life, politics, society, and your family fuels you with.
Literature has become my life.
My role 14 years ago in Richard III - that was the first time I played a bad guy and learned a lot about it - they have all the fun!
Movies become living organisms that graduate from a filmmaker's sphere of influence and pretty much look back and tell you how they need to be said goodbye to. A movie often turns around and looks at you and says, "Here is who I am, and that's maybe now how you see me, but that's who I've become." And you've got to be open enough to go with that.
Some people become cops because they want to make the world a better place. Some people become vandals because they want to make the world a better looking place.