While most of the things you've worried about have never happened, it's a different story with the things you haven't worried about. They are the ones that happen.
Ruth RendellRead
I have an idea, and I have a perpetrator, and I write the book along those lines, and when I get to the last chapter, I change the perpetrator so that if I can deceive myself, I can deceive the reader.
Interpretation
The quote reflects the creative process of writing and the intentional use of deception in storytelling.
In this quote, Ruth Rendell explores the intricacies of the writing process, particularly the element of surprise in narrative structure. By manipulating the identity of the perpetrator until the last chapter, the author emphasizes the duality of both self-deception and reader deception, highlighting how a well-crafted story can alter perceptions and expectations, engaging both the writer and the reader in a deeper literary experience.
In practice
During a workshop on creative writing, one might share this quote to illustrate the importance of plot twists.
While most of the things you've worried about have never happened, it's a different story with the things you haven't worried about. They are the ones that happen.
I always know when a novel is going to be a Barbara Vine one. In fact I believe that if I weren't to write it as Barbara Vine, I wouldn't be able to write it at all.
I'm really fond of 'Real Life' because I think it anticipated a whole movement. And people forget, they talk about 'Spinal Tap,' but that wasn't... this was a mockumentary a long time before that. It was one of the early, early sort of mockumentaries.
The sole art that suits me is that which, rising from unrest, tends toward serenity.
It dawned on me that comics were not an intrinsically limited medium. There was a tremendous amount of things you could do in comics that you couldn't do in other art forms - but no one was doing it. I figured if I'd make a try at it, I'd at least be a footnote in history.
What I love so much about drag is that it has politics at its very core; drag performers aren't afraid to talk about politics in our community and the changes we need to see systemically in society.
I feel like I'm a natural-born playwright, but the prose thing has always mystified me. How to keep it going? How do people do it, for years and years?
For me, the creation of a photograph is experienced as a heightened emotional response, most akin to poetry and music, each image the culmination of a compelling impulse I cannot deny. Whether working with a human figure or a still life, I am deeply aware of my spiritual connection with it. In my life, as in my work, I am motivated by a great yearning for balance and harmony beyond the realm of human experience, reaching for the essence of oneness with the Universe.
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