I have an idea, and I have a perpetrator, and I write the book along those lines, and when I get to the last chapter, I change the perpetrator so that if I can deceive myself, I can deceive the reader.
Ruth RendellRead
I always know when a novel is going to be a Barbara Vine one. In fact I believe that if I weren't to write it as Barbara Vine, I wouldn't be able to write it at all.
Interpretation
The quote emphasizes the unique identity of a writer and how it shapes their work.
Ruth Rendell expresses her belief that her alter ego, Barbara Vine, is essential to her creative process. This illustrates the idea that an author's identity and persona can condition their artistic expression, suggesting that the character of a writer can influence the narratives they create and how they are perceived by the audience.
In practice
During a literary discussion on the importance of authorial identity.
I have an idea, and I have a perpetrator, and I write the book along those lines, and when I get to the last chapter, I change the perpetrator so that if I can deceive myself, I can deceive the reader.
While most of the things you've worried about have never happened, it's a different story with the things you haven't worried about. They are the ones that happen.
As an artist I have always tried to be faithful to my vision of life, and I have frequently been in conflict with those who wanted me to paint not what I saw but what they wished me to see.
The creative act is not hanging on, but yielding to a new creative movement. Awe is what moves us forward.
Music is enough for a lifetime - but a lifetime is not enough for music.
I knew there was something special about the theater for me something beyond the regular reality, something that I could get into and transcend and become something other than myself.
That which is not slightly distorted lacks sensible appeal; from which it follows that irregularity β that is to say, the unexpected, surprise and astonishment, are a essential part and characteristic of beauty.
In this age of consumerism film criticism all over the world - in America first but also in Europe - has become something that caters for the movie industry instead of being a counterbalance.
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