All writing is discipline, but screenwriting is a drill sergeant.
Robert MckeeRead
Storytelling is the most powerful way to put ideas into the world today.
Interpretation
Storytelling allows for the effective communication of ideas and messages across various mediums.
This quote emphasizes the significance of storytelling as a vehicle for sharing thoughts, beliefs, and concepts. Robert McKee suggests that in the contemporary world, narratives are not just forms of entertainment but are essential in shaping perceptions and influencing audiences, making them a vital tool for communication in both personal and professional contexts.
In practice
In a public speaking event, a speaker might say, 'As Robert McKee once said, storytelling is the most powerful way to put ideas into the world today, highlighting the impact of narratives.'
All writing is discipline, but screenwriting is a drill sergeant.
Stories are the creative conversion of life itself into a more powerful, clearer, more meaningful experience. They are the currency of human contact.
Good story' means something worth telling that the world wants to hear. Finding this is your lonely task...But the love of a good story, of terrific characters and a world driven by your passion, courage, and creative gifts is still not enough. Your goal must be a good story well told.
Anxious, inexperienced writers obey rules. Rebellious, unschooled writers break rules. Artists master the form.
We rarely know where we are going; writing is a discovery.
Whereas life separates meaning from emotion, art unites them. Story is an instrument by which you create such epiphanies at will, the phenomenon known as aesthetic emotion...Life on its own, without art to shape it, leaves you in confusion and chaos, but aesthetic emotion harmonizes what you know with what you feel to give you a heightened awareness and a sureness of your place in reality.
What has praise and fame to do with poetry? Was not writing poetry a secret transaction, a voice answering a voice? So that all this chatter and praise, and blame and meeting people who admired one and meeting people who did not admire one was as ill suited as could be to the thing itself- a voice answering a voice.
I don't know what the hell I'm doing up there half the time. These performers that go on about their technique and craft - oh, puleeze! How boring! I don't know what technique means. But I do know what experience is. I know in my gut when I've done a scene right.
Keep it in tune with the times, but don't write with the specific purpose of trying to create a hit. If you're doing it strictly to make money, you're crazy. There are easier ways to make money.
I'm chasing a kind of language that can be unburdened by people's expectations. I think music is the primary model-how close can you get this language to be like music and communicate feeling at the base level in the same way a composition with no words communicates meaning? It might be impossible. Language is always burdened by thought. I'm just trying to get it so it can be like feeling.
The beautiful feeling after writing a poem is on the whole better even than after sex, and that's saying a lot.
We have the script, we have the actors, and we're trying to figure out what this is, and you don't know what it is. You have to be open to what it's going to become rather than have this thing that you're trying to get to, which is boring.
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