A song doesn't just come on. I've always had to tease it out, squeeze it out. 'No thesaurus can give you those words, no rhyming dictionary. They must happen out of you.
Dorothy FieldsRead
Keep it in tune with the times, but don't write with the specific purpose of trying to create a hit. If you're doing it strictly to make money, you're crazy. There are easier ways to make money.
Interpretation
Create art that resonates with the current times rather than focusing solely on commercial success.
Dorothy Fields emphasizes the importance of staying relevant in creative endeavors while warning against the mindset of creating solely for profit. She believes that true creativity should be driven by passion and relevance to contemporary issues rather than the pursuit of monetary gain, as there are simpler avenues to achieve financial success.
In practice
During a motivational speech on creativity, one might use this quote to inspire artists.
A song doesn't just come on. I've always had to tease it out, squeeze it out. 'No thesaurus can give you those words, no rhyming dictionary. They must happen out of you.
A song must move the story ahead. A song must take the place of dialogue. If a song halts the show, pushes it back, stalls it, the audience won't buy it; they'll be unhappy.
Pick yourself up, dust yourself off, start all over again.
Grab your coat, and get your hat Leave your worry on the doorstep Just direct your feet To the sunny side of the street.
In each verse, a decision awaits us, and we can't choose to close our eyes and let instinct work on its own. Poetic instinct consists of an alert tension.
Write. No amount of self-inflicted misery, altered states, black pullovers or being publicly obnoxious will ever add up to your being a writer. Writers write. On you go.
It's absolutely crucial to maintain my life as a poet.
These designers have no reserve. They've chosen a path and thrown themselves onto it head first, regardless of everything. Whether or not their designs are sellable or vulgar. As long as it's new and people talk about it. That is the truth.
When I'm about to train a new opera, I first listen to how Jussi Björling did it. His voice was unique and it's his path that I want to follow. I would more than anything else wish that people compared me with Jussi Björling. It's like so I'm striving to sing.
There are no limits to what kind of bodies, which types of people, which genders, or what races can do amazing drag, and I think the audience is clamoring fighting with each other more and more to see drag represented as fully as it possibly can be.
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