The banality of evil transmutes into the banality of sentimentality. The world is nothing but a problem to be solved by enthusiasm.
Teju ColeRead
The original sense of the word 'influence' is 'to flow into.' For the most part, these writers that I admire... their style flows into me without my intervention, which is what explains the broad range of writers who I've been compared with; it reflects my reading.
Interpretation
Influence in writing is a natural and passive process where styles blend through reading.
In this quote, Teju Cole reflects on the organic nature of influence in writing, suggesting that an author's style is not merely a product of conscious effort but rather a fluid process of absorbing and integrating the styles of various writers. He emphasizes how his own writing is shaped by the diverse influences of the authors he admires, highlighting the interconnectedness of reading and writing.
In practice
In a discussion about the creative process in a writing workshop.
The banality of evil transmutes into the banality of sentimentality. The world is nothing but a problem to be solved by enthusiasm.
I'm not trying to be a poet on Twitter; I'm trying to be aware of the fact that a very simple sentence, well written, can have a very moving effect without that person knowing why. There's a deep genetic part of you that somehow, even without your permission, recognizes good language when it arrives.
To be alive, it seemed to me, as I stood there in all kinds of sorrow, was to be both original and reflection, and to be dead was to be split off, to be reflection alone.
We don't experience our lives as plots. If I asked you to tell me what your last week was like, you're not really gonna give me plot. You're gonna give me sort of linked narrative. And I wanted to see how do we bring that into fiction without losing the reader.
Each neighborhood of the city appeared to be made of a different substance, each seemed to have a different air pressure, a different psychic weight: the bright lights and shuttered shops, the housing projects and luxury hotels, the fire escapes and city parks.
In countries with a properly functioning legal system, the mob continues to exist, but it is rarely called upon to mete out capital punishment. The right to take human life belongs to the state. Not so in societies where weak courts and poor law enforcement are combined with intractable structural injustices.
History is my passion. So I write what I love to read. I find that if I combine history with a strong, sensual romance, it is like a one-two punch. The reader doesn't want the history without the romance, and of course the heavier the history, the more it has to be leavened with a sensual, all-consuming love story.
I like things that don't sound particularly processed or mechanical or made by machines. I like music that contains human elements, with all their flaws. There's air in it, and you can hear a room of a bunch of guys playing. Those are the magic parts.
Rather than a teaching tool, I think a novel is more of a witnessing entity. A witnessing entity? What is that? I just want the reader to step in and experience it as a story.
Autobiography should be more stringent. It should adhere more to the standards of journalism - assuming that journalism has the truth. The memoir gives you more scope, is more poetic, and allows you to play around with your own life.
A sad tale's best for winter. I have one of sprites and goblins.
Anything that's made by humans is about humans, whether it's about gods or aliens or anything; it's about some sort of expressive nature about us.
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