Keep it in tune with the times, but don't write with the specific purpose of trying to create a hit. If you're doing it strictly to make money, you're crazy. There are easier ways to make money.
Dorothy FieldsRead
A song doesn't just come on. I've always had to tease it out, squeeze it out. 'No thesaurus can give you those words, no rhyming dictionary. They must happen out of you.
Interpretation
Creativity requires effort and cannot be found in external resources alone.
Dorothy Fields emphasizes that the creation of art, such as songwriting, is a deeply personal and labor-intensive process. It cannot simply happen spontaneously or be derived from external aids like dictionaries; rather, it is a product of inner inspiration and personal experience.
In practice
In a songwriting workshop to encourage participants to tap into their feelings.
Keep it in tune with the times, but don't write with the specific purpose of trying to create a hit. If you're doing it strictly to make money, you're crazy. There are easier ways to make money.
A song must move the story ahead. A song must take the place of dialogue. If a song halts the show, pushes it back, stalls it, the audience won't buy it; they'll be unhappy.
Pick yourself up, dust yourself off, start all over again.
Grab your coat, and get your hat Leave your worry on the doorstep Just direct your feet To the sunny side of the street.
The only time I have a good hunch the audience is going to be there is when I make the sequel to 'Jurassic Park' or I make another Indiana Jones movie. I know I've got a good shot at getting an audience on opening night. Everything else that is striking out into new territory is a crap shoot.
She drinks pints of coffee and writes little observations and ideas for stories with her best fountain pen on the linen-white pages of expensive notebooks. Sometimes, when it's going badly, she wonders if what she believes to be a love of the written word is really just a fetish for stationery.
Chess is no whit inferior to the violin, and we have a large number of professional violinists
I decided at 40 I was wasting entire chunks of my brain and didn't want to blow my one chance on Earth. I'm glad I made that decision. Writing is largely about time, while visual art is largely about space. Sometimes, as with film, you can hybridize, but I think it's basically the space part of my brain wanting equal footing with the time part.
As I grew steadily more comfortable in the kitchen, I found that, much like gardening, most cooking manages to be agreeably absorbing without being too demanding intellectually. It leaves plenty of mental space for daydreaming and reflection.
If you focus your energy on the camera, it takes away from the time you have to focus on the performances.
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