Chess is no whit inferior to the violin, and we have a large number of professional violinists
Interpretation
Chess and the violin are equally respected art forms requiring skill and dedication.
In this quote, Mikhail Botvinnik expresses the idea that chess, much like playing the violin, is a profound art that deserves similar recognition and respect. Just as there are many talented violinists who achieve success and mastery, there are also skilled chess players who contribute to the beauty and complexity of the game, emphasizing that both pursuits require considerable talent and dedication.
In practice
In a speech about honing one's skills in both art and intellect.
I ... have two vocations: chess and engineering. If I played chess only, I believe that my success would not have been significantly greater. I can play chess well only when I have fully convalesced from chess and when the 'hunger for chess' once more awakens within me.
If you are weak in the endgame, you must spend more time analysing studies; in your training games you must aim at transposing to endgames, which will help you to acquire the requisite experience.
I claim that nothing else is so effective in encouraging the growth of chess strength as such independent analysis, both of the games of the great players and your own.
Suddenly it was obvious to me in my analysis I had missed what_x000D_ Fischer had found with the greatest of ease at the board
Chess is the art which expresses the science of logic.
Capablanca's play produced and still produces an irresistable artistic effect. In his games a tendency towards simplicity predominated, and in this simplicity there was a unique beauty of genuine depth.
Look at a football field. It looks like a big movie screen. This is theatre. Football combines the strategy of chess. It's part ballet. It's part battleground, part playground. We clarify, amplify and glorify the game with our footage, the narration and that music, and in the end create an inspirational piece of footage.
I was honoured when they asked me to appear at the president's birthday rally in Madison Square Garden. There was like a hush over the whole place when I came on to sing 'Happy Birthday,' like if I had been wearing a slip, I would have thought it was showing or something. I thought, 'Oh, my gosh, what if no sound comes out!'
Drama lies in extreme exaggeration of the feelings, an exaggeration that dislocates flat everyday reality.
I find above all that the expression, atonal music, is most unfortunate β it is on a par with calling flying the art of not falling, or swimming the art of not drowning.
Writing is like shouting into the world. So when someone shouts back, it's a really big deal. To have people who read hundreds and hundreds of books a year say, 'Hey, we thought this was really great,' that's a huge self-esteem boost.
I'm very shy, and I shy away from people. But the moment I hit the stage, it's a different feeling I get nerve from somewhere; maybe it's because it's something I love to do.
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