That’s my idea of what a portrait ought to be, anonymous and documentary and a straightforward picture of mankind.
Walker EvansRead
It's easy to photograph light reflecting from a surface, the truly hard part is capturing the light in the air.
Interpretation
The challenge in photography lies not just in capturing visible objects, but in conveying the essence of light itself.
Walker Evans highlights a profound aspect of photography that goes beyond simple techniques. While it may be straightforward to capture images of illuminated surfaces, the true artistry lies in capturing the invisible quality of light that exists in the air, suggesting that the essence of an image often lies beyond what is immediately visible.
In practice
This quote could be used in a photography workshop to inspire participants to look beyond the obvious.
That’s my idea of what a portrait ought to be, anonymous and documentary and a straightforward picture of mankind.
The meaning of quality in photography's best pictures lies written in the language of vision. That language is learned by chance, not system.
It is the way to educate your eye and more. Stare, pry, listen, eavesdrop.
Stare, pry, listen, eavesdrop. Die knowing something. You are not here long.
Whether he is an artist or not, the photographer is a joyous sensualist, for the simple reason that the eye traffics in feelings, not in thoughts.
It is easy to imagine fantasy as physical and myth as real. We do it almost every moment. We do this as we dream, as we think, and as we cope with the world about us. But these worlds of fantasy that we form into the solid things around us are the source of our discontent. They inspire our search to find ourselves.
I use the grotesque the way I do because people are deaf and dumb and need help to see and hear.
An artist in my eyes, is someone who can lighten up a dark room. I have never and will never find difference between the pass from Pele to Carlos Alberto in the final of the World Cup in 1970 and the poetry of the young Rimbaud, who stretches cords from steeple to steeple and garlands from window to window. There is in each of these human manifestations an expression of beauty which touches us and gives us a feeling of eternity.
Where I grew up, in Aldgate, east London, one of the poorest boroughs in the country, I saw lots that was real - the bankers with their briefcases, the man next door with five wives, the illegal immigrants in Flat 5. I'm from a world you rarely see on screen, and I want to show it off.
There comes a point at which you stop writing and think all the more
A girl’s got to use what she’s given and I’m not going to make a guy drool the way a Britney video does. So I take it to extremes. I don’t say I dress sexily on stage - what I do is so extreme. It’s meant to make guys think: ‘I don’t know if this is sexy or just weird.
Liquid architecture. It's like jazz - you improvise, you work together, you play off each other, you make something, they make something. And I think it's a way of - for me, it's a way of trying to understand the city, and what might happen in the city.
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