As you grow older, you will discover that you have two hands, one for helping yourself, the other for helping others.
Audrey HepburnRead
As a child, I was taught that it was bad manners to bring attention to yourself, and to never, ever make a spectacle of yourself ... All of which I've earned a living doing.
Interpretation
The quote reflects the irony of societal norms and personal success in performance and creativity.
Audrey Hepburn highlights the contradiction between the lessons of humility and the demands of her profession as an actress. While she was taught to avoid drawing attention to herself, her career inherently involved making spectacles for an audience, illustrating how one's upbringing can conflict with their chosen path in life.
In practice
This quote can inspire artists to embrace their unique talents despite societal expectations.
As you grow older, you will discover that you have two hands, one for helping yourself, the other for helping others.
If I'm honest I have to tell you I still read fairy-tales and I like them best of all.
True beauty in a woman is reflected in her soul.
On the one hand maybe Iβve remained infantile, while on the other I matured quickly, because at a young age I was very aware of suffering and fear.
This is what you do on your very first day in Paris. You get yourself, not a drizzle, but some honest-to-goodness rain, and you find yourself someone really nice and drive her through the Bois de Boulogne in a taxi. The rain's very important. That's when Paris smells its sweetest. It's the damp chestnut trees.
I speak for those children who cannot speak for themselves, children who have absolutely nothing but their courage and their smiles, their wits and their dreams.
Give me artificial flowers - porcelain and metal glories - neither fading nor decaying, forms unaging. Flowers of the splendid gardens of another place, where Forms and Styles and Knowledge dwell. I love flowers made of glass or gold, true Art's true gifts, their painted hues more beautiful than nature's, worked in nacre and enamel, with perfect leaves and branches.
What is it that an artist does when he is left alone in his studio? My conclusion was that if I was an artist and I was in the studio, then everything I was doing in the studio should be art . . . . From that point on, art became more of an activity and less of a product.
It hinders the creative work of the mind if the intellect examines too closely the ideas as they pour in.
For such is the fate of parody: it must never fear exaggerating. If it strikes home, it will only prefigure something that others will then do without a smile--and without a blush--in steadfast virile seriousness.
People expect things from art that are horrible for us who make it! They put the things we make in these restrictive places called 'museums,' then don't want to hear another word from us.
I do the same thing everyday. I go to work and paint. I try to turn out as many pictures as I can.
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