My directors of photography light my films, but the colours of the sets, furnishings, clothes, hairstyles - that's me. Everything that's in front of the camera, I bring you.
Pedro AlmodovarRead
I don't want to imitate life in movies; I want to represent it. And in that representation, you use the colors you feel, and sometimes they are fake colors. But always it's to show one emotion.
Interpretation
The quote emphasizes the importance of authentic representation in art, rather than mere imitation of reality.
Pedro Almodovar expresses the desire to portray genuine emotions through artistic representation rather than simply reproducing life as seen in movies. He acknowledges that the colors and elements used in this depiction may not always be true to life, but they serve to convey deep emotions and artistic truth rather than to mirror reality directly.
In practice
This quote could be used in a speech at an art exhibition to highlight the significance of emotional expression in artistic work.
My directors of photography light my films, but the colours of the sets, furnishings, clothes, hairstyles - that's me. Everything that's in front of the camera, I bring you.
If I make a movie in English, the money will come from Europe, so that I can keep my independence and freedom. The way they produce in Hollywood doesn't fit me.
If I had not been successful as a director, then I'm sure I would still be telling stories. I would have continued on 16mm or found a different medium through which to tell them.
Before shooting, I prepare with the actors much more like it's a theater play than a movie. Apparently, that way of working is very unusual.
Of course I want my films to look really good, but every single element is chosen for a reason. It's telling something in the story.
After the enormous success of All About my Mother, all the awards and everything, I wanted to start a movie in exactly the same place that I used to be before. I wanted to show that all of the success had not changed my perception.
Things men have made with wakened hands, and put soft life into are awake through years with transferred touch, and go on glowing for long years. And for this reason, some old things are lovely warm still with the life of forgotten men who made them.
The very best design, I feel, is that which resonates so deeply that people can't help but discover something within themselves when they see it.
All novelists should live in two different worlds: a real one and an unreal one.
My first memory is of the brightness of light — light all around.
I get that same queasy, nervous, thrilling feeling every time I go to work. That's never worn off since I was 12 years-old with my dad's 8-millimeter movie camera.
To get even realer with you for a second, as a black actor, as a performer of color, I don't know how many more roles like Aaron Burr are gonna come along for me.
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