If I make a movie in English, the money will come from Europe, so that I can keep my independence and freedom. The way they produce in Hollywood doesn't fit me.
Pedro AlmodovarRead
My directors of photography light my films, but the colours of the sets, furnishings, clothes, hairstyles - that's me. Everything that's in front of the camera, I bring you.
Interpretation
The quote emphasizes the director's creative control over the visual aspects of a film.
Pedro Almodovar highlights the collaborative nature of filmmaking, attributing the lighting to his directors of photography while asserting that the aesthetic choices, such as colors and designs of sets and costumes, are his artistic contribution. This underscores the importance of both collaboration and individual vision in the creation of cinematic art.
In practice
During a film festival panel discussing the importance of visual storytelling.
If I make a movie in English, the money will come from Europe, so that I can keep my independence and freedom. The way they produce in Hollywood doesn't fit me.
I don't want to imitate life in movies; I want to represent it. And in that representation, you use the colors you feel, and sometimes they are fake colors. But always it's to show one emotion.
If I had not been successful as a director, then I'm sure I would still be telling stories. I would have continued on 16mm or found a different medium through which to tell them.
Before shooting, I prepare with the actors much more like it's a theater play than a movie. Apparently, that way of working is very unusual.
Of course I want my films to look really good, but every single element is chosen for a reason. It's telling something in the story.
After the enormous success of All About my Mother, all the awards and everything, I wanted to start a movie in exactly the same place that I used to be before. I wanted to show that all of the success had not changed my perception.
Architecture is the reaching out for the truth.
Hip-hop was indifferent to Broadway. We didn't need Broadway, but I think Broadway needed hip-hop.
When you have the best and tastiest ingredients, you can cook very simply and the food will be extraordinary because it tastes like what it is.
The primary requisite for writing well about food is a good appetite. Without this, it is impossible to accumulate, within the allotted span, enough experience of eating to have anything worth setting down.
It looks like the writer is telling you a story. What the writer is actually doing, however, is using words to evoke a series of micromemories from your own experience that inmix, join, and connect in your mind in an order the writer controls, so that, in effect, you have a sustained memory of something that never happened to you.
I want to tell stories that are true and that resonate and move people, that highlight both the tremendous beauty and ugliness available in the human experience.
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