If I make a movie in English, the money will come from Europe, so that I can keep my independence and freedom. The way they produce in Hollywood doesn't fit me.
Pedro AlmodovarRead
My directors of photography light my films, but the colours of the sets, furnishings, clothes, hairstyles - that's me. Everything that's in front of the camera, I bring you.
Interpretation
The quote emphasizes the director's creative control over the visual aspects of a film.
Pedro Almodovar highlights the collaborative nature of filmmaking, attributing the lighting to his directors of photography while asserting that the aesthetic choices, such as colors and designs of sets and costumes, are his artistic contribution. This underscores the importance of both collaboration and individual vision in the creation of cinematic art.
In practice
During a film festival panel discussing the importance of visual storytelling.
If I make a movie in English, the money will come from Europe, so that I can keep my independence and freedom. The way they produce in Hollywood doesn't fit me.
I don't want to imitate life in movies; I want to represent it. And in that representation, you use the colors you feel, and sometimes they are fake colors. But always it's to show one emotion.
If I had not been successful as a director, then I'm sure I would still be telling stories. I would have continued on 16mm or found a different medium through which to tell them.
Before shooting, I prepare with the actors much more like it's a theater play than a movie. Apparently, that way of working is very unusual.
Of course I want my films to look really good, but every single element is chosen for a reason. It's telling something in the story.
After the enormous success of All About my Mother, all the awards and everything, I wanted to start a movie in exactly the same place that I used to be before. I wanted to show that all of the success had not changed my perception.
Good writers borrow from other writers. Great writers steal from them outright.
Give me such shows - give me the streets of Manhattan!
I want to allow others to reveal and celebrate aspects of themselves that are usually hidden. My camera is a witness. It holds a light up for my subjects to help them feel their own essence, and gives them the courage to collaborate in the recording of these revelations.
Far from being dead, physical media has years of life left and must be preserved because there is no better alternative.
I had to get my camera to register things that were more important than how poor they were--their pride, their strength, their spirit.
A John Updike is a once-in-a-generation phenomenon, if that generation is lucky: so comfortable in so many genres, the same lively, generous intelligence suffusing all he did.
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