If I make a movie in English, the money will come from Europe, so that I can keep my independence and freedom. The way they produce in Hollywood doesn't fit me.
Pedro AlmodovarRead
My directors of photography light my films, but the colours of the sets, furnishings, clothes, hairstyles - that's me. Everything that's in front of the camera, I bring you.
Interpretation
The quote emphasizes the director's creative control over the visual aspects of a film.
Pedro Almodovar highlights the collaborative nature of filmmaking, attributing the lighting to his directors of photography while asserting that the aesthetic choices, such as colors and designs of sets and costumes, are his artistic contribution. This underscores the importance of both collaboration and individual vision in the creation of cinematic art.
In practice
During a film festival panel discussing the importance of visual storytelling.
If I make a movie in English, the money will come from Europe, so that I can keep my independence and freedom. The way they produce in Hollywood doesn't fit me.
I don't want to imitate life in movies; I want to represent it. And in that representation, you use the colors you feel, and sometimes they are fake colors. But always it's to show one emotion.
If I had not been successful as a director, then I'm sure I would still be telling stories. I would have continued on 16mm or found a different medium through which to tell them.
Before shooting, I prepare with the actors much more like it's a theater play than a movie. Apparently, that way of working is very unusual.
Of course I want my films to look really good, but every single element is chosen for a reason. It's telling something in the story.
After the enormous success of All About my Mother, all the awards and everything, I wanted to start a movie in exactly the same place that I used to be before. I wanted to show that all of the success had not changed my perception.
The ultimate pleasure of architecture lies in the most forbidden parts of the architectural act, where limits are perverted and prohibitions are transgressed.
Such labour'd nothings, in so strange a style, Amaze th' unlearn'd and make the learned smile.
While the documentary community is way ahead of Hollywood, it is still nowhere near where it needs to be. Filmmakers of color rarely get hired by the powerful production companies, and they are not getting supported enough by broadcasters and funders to tell their own stories.
I love to draw-pencil, ink pen-I love art. When I go on tour and visit museums in Holland, Germany or England-you know those huge paintings?-I'm just amazed. You don't think a painter could do something like that. I can look at a piece of sculpture or a painting and totally lose myself in it.
From my perspective, I'm trying to stand for a generation. You know, each generation has designers who go along with it.
The man is either mad, or he is making verses.
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