My directors of photography light my films, but the colours of the sets, furnishings, clothes, hairstyles - that's me. Everything that's in front of the camera, I bring you.
Pedro AlmodovarRead
If I make a movie in English, the money will come from Europe, so that I can keep my independence and freedom. The way they produce in Hollywood doesn't fit me.
Interpretation
The quote emphasizes the importance of creative independence in filmmaking over commercial interests.
Pedro Almodovar expresses a desire for creative freedom and independence in his filmmaking. He suggests that producing movies in English might attract financial backing from Europe, allowing him to maintain his artistic vision, as he feels that Hollywood's methods clash with his personal approach to cinema.
In practice
In a discussion about the importance of maintaining artistic vision in film.
My directors of photography light my films, but the colours of the sets, furnishings, clothes, hairstyles - that's me. Everything that's in front of the camera, I bring you.
I don't want to imitate life in movies; I want to represent it. And in that representation, you use the colors you feel, and sometimes they are fake colors. But always it's to show one emotion.
If I had not been successful as a director, then I'm sure I would still be telling stories. I would have continued on 16mm or found a different medium through which to tell them.
Before shooting, I prepare with the actors much more like it's a theater play than a movie. Apparently, that way of working is very unusual.
Of course I want my films to look really good, but every single element is chosen for a reason. It's telling something in the story.
After the enormous success of All About my Mother, all the awards and everything, I wanted to start a movie in exactly the same place that I used to be before. I wanted to show that all of the success had not changed my perception.
I don't design clothes, I design dreams.
The opportunity to create a small world between two pieces of cardboard, where time exists yet stands still, where people talk and I tell them what to say, is exciting and rewarding.
Art in the blood is liable to take the strangest forms.
I believe in plot, in development of character, in the effect of the passage of time, in a good story - better than something you might find in the newspaper. And I believe a novel should be as complicated and involved as you're capable of making it.
And from that time on I bathed in the Poem Of the Sea, star-infused and churned into milk, Devouring the green azures; where, entranced in pallid flotsam, A dreaming drowned man sometimes goes down.
And little he knew of the things that ink may do, how it can mark a dead man's thought for the wonder of later years, and tell of happening that are gone clean away, and be a voice for us out of the dark of time, and save many a fragile thing from the pounding of heavy ages; or carry to us, over the rolling centuries, even a song from lips long dead on forgotten hills.
Subscribe for the occasional hand-picked quote. No noise.