If you surrender completely to the moments as they pass, you live more richly those moments.
Anne Morrow LindberghRead
It is only framed in space that beauty blooms; only in space are events, and objects and people unique and significant and therefore beautiful.
Interpretation
Beauty is found in the unique context and space of existence.
This quote by Anne Morrow Lindbergh suggests that beauty is not a standalone quality; rather, it flourishes in the specific circumstances and surroundings that define our experiences. It highlights the importance of context in recognizing the uniqueness and significance of people, objects, and events, implying that beauty emerges from the interplay between them and their spatial dimensions.
In practice
In a discussion about art, one might quote this to emphasize the importance of the environment in appreciating a piece.
If you surrender completely to the moments as they pass, you live more richly those moments.
When each partner loves so completely that he has forgotten to ask himself whether or not he is loved in return; when he only knows that he loves and is moving to its music--then, and then only are two people able to dance perfectly in tune to the same rhythm.
It isn't for the moment you are struck that you need courage, but for that long uphill climb back to sanity and faith and security.
Travelers are always discoverers, especially those who travel by air. There are no signposts in the sky to show a man has passed that way before. There are no channels marked. The flier breaks each second into new uncharted seas.
Don't wish me happiness - I don't expect to be happy it's gotten beyond that, somehow. Wish me courage and strength and a sense of humor - I will need them all.
I am most anxious to give my own children enough love and understanding so that they won't grow up with an aching void in them--like you and I and Harold and Martha. That can never be filled, and one goes around all one's life trying, trying to make up for what one didn't get that was one's birthright, asking the wrong people for it.
Influences come from everywhere but when you are actually shooting you work primarily by instinct. But what is instinct? It is a lifetime accumulation of influence: experience, knowledge, seeing and hearing. There is little time for reflection in taking a photograph. All your experiences come to a peak and you work on two levels: conscious and unconscious.
The cinema, like the detective story, makes it possible to experience without danger all the excitement, passion and desirousness which must be repressed in a humanitarian ordering of life.
I grew up in a drive-in theater, from the time I was 8, working in a snack bar watching four features every week. It was silent theater in the sense that this was a drive-in, which meant that I often saw the films going with no sound. But I learned to tell stories through action.
Gardeners (or just plain simple writers who write about the garden) always have something they like intensely and in particular, right at the moment you engage them in the reality of the borders they cultivate, the space in the garden they occupy at any moment, they like in particular this, or they like in particular that.
For the canons of good society are, or should be, the same as the canons of art. Form is absolutely essential to it.
In vain have oceans been squandered on you, in vain the sun, wonderfully seen through Whitmanβs eyes. You have used up the years and they have used up you, and still, and still, you have not written the poem.
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