Don't we forgive everything of a lover? We forgive selfishness, desire, guile. As long as we are the motive for it...There are some European words you can never translate properly into another language.
Michael OndaatjeRead
One of the things that happens in novels it's almost like a continual debate with yourself. That's why you're writing the book. It's why you create characters: so you can argue with yourself.
Interpretation
Writing novels involves an internal dialogue, where the author debates ideas through their characters.
Michael Ondaatje highlights the creative process of writing novels as a form of self-exploration and debate. Through the act of creating characters, authors can engage in discussions with themselves about complex themes and ideas, allowing for personal reflection and deeper understanding.
In practice
In a writing workshop, when discussing character development, you can use this quote to illustrate the purpose of creating characters as a means of exploring ideas.
Don't we forgive everything of a lover? We forgive selfishness, desire, guile. As long as we are the motive for it...There are some European words you can never translate properly into another language.
When we are young we do not look into mirrors. It is when we are old, concerned with our name, our legend, what our lives will mean to the future. We become vain with the names we own, our claims to have been the first eyes, the strongest army, the cleverest merchant. It is when he is old that Narcissus wants a graven image of himself.
Water is the exile, carried back in cans and flasks, the ghost between your hands and your mouth.
You must talk to me, Caravaggio. Or am I just a book? Something to be read, some creature to be tempted out of a loch and shot full of morphine, full of corridors, lies, loose vegetation, pockets of stones.
You don't want to write your own opinion, you don't want to just represent yourself, but represent yourself through someone else.
A man in a desert can hold absence in his cupped hands, knowing it is something that feeds him more than water.
When I'm writing a new play, there's a period where I know I shouldn't be out in public much. I imagine most people who create go through something like this. You willfully loosen some of the inner straps that hold your core together.
In music, you ain't really got to be able to sing. In comedy, you may be cute, you may be able to add a little extra to your routine, but if you're not funny, no one's really rocking with you - and if you're a black woman, you better be hilarious. As usual, we always have to do the most.
I'm not a pyrotechnical director; I'm not good with all those innovative things. What I am interested in is how actors can touch the heads and hearts of an audience.
I am very depressed and deeply disgusted with painting. It is really a continual torture.
For me, the importance in learning about the dance is using it as a voice. It's not about a step, it's about a way to express oneself.
Our Euripides the human, With his droppings of warm tears, and his touchings of things common Till they rose to meet the spheres.
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