Other dances are like languages, like French or Spanish, but my steps are slang, and slang is always changing.
Savion GloverRead
For me, the importance in learning about the dance is using it as a voice. It's not about a step, it's about a way to express oneself.
Interpretation
Dance serves as a powerful form of self-expression rather than just a sequence of movements.
In this quote, Savion Glover emphasizes that dance transcends mere technicality and choreography; it acts as a medium through which individuals can communicate their emotions and narratives. He suggests that the true essence of dance lies in its ability to convey personal stories and feelings, making it a vital outlet for self-expression and identity.
In practice
During a dance recital, the teacher reminded students that their movements should express their emotions, echoing Glover's belief.
Other dances are like languages, like French or Spanish, but my steps are slang, and slang is always changing.
Just like a comedian has a certain joke or a jazz musician has a riff that they know will get the crowd, a tap dancer always has a step.
There are many different styles of, and approaches to, tap. My own leans towards a more intellectual view: tap dancing not just for the sake of entertainment but to educate and spark emotion.
I can produce any instrument, any sound that I can imagine; it may be percussive to the audience, but in my mind it may be a piano, a melody, or a tuba, or a harp, or a harmonica. My mission is to allow people to hear the dance in its purity and up against any other type of sound or music.
I'm happy that people think of me as the greatest tap-dancer that ever lived. But it's just a rumor. Because the greatest dancer that ever lived knows everything, and I don't. I'm still learning. I still have a lot of work to do.
My mom couldn't afford dance shoes, so she put me in these old cowboy boots with a hard bottom so I could get some sound out. I used them for seven months. When I finally got real tap shoes, I was nervous. I kept moving my feet, thinking, 'Oh, so this is how it's supposed to sound.'
Only photography has been able to divide human life _x000D_ into a series of moments, each of them has the value of a complete existence.
At a certain place in Beethoven's Ninth Symphony, for example, he might feel that he is floating above the earth in a starry dome, with the dream of immortality in his heart; all the stars seem to glimmer around him, and the earth seems to sink ever deeper downwards.
There is no feeling, except the extremes of fear and grief, that does not find relief in music.
I want to create a world with objects and surroundings that are human, more romantic, and less sterile.
When I read a story, I relive the moment from which it sprang. A scene burned itself into me, a building magnetized me, a mood orseason of Nature's penetrated me, history suddenly appeared to me in some tiny act, or a face had begun to haunt me before I glanced at it.
Typography is the craft of endowing human language with a durable visual form, and thus with an independent existence. Its heartwood is calligraphy - the dance, on a tiny stage, of the living, speaking hand - and its roots reach into living soil, though its branches may be hung each year with new machines. So long as the root lives, typography remains a source of true delight, true knowledge, true surprise.
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