Just like a comedian has a certain joke or a jazz musician has a riff that they know will get the crowd, a tap dancer always has a step.
Savion GloverRead
Other dances are like languages, like French or Spanish, but my steps are slang, and slang is always changing.
Interpretation
This quote compares dance to languages, highlighting its evolving and expressive nature through slang.
Savion Glover uses the metaphor of dance as a language to emphasize its diverse and fluid expression. While traditional languages like French or Spanish have set rules, slang represents the innovative and ever-changing trends in dance, reflecting personal and cultural identities that evolve with time.
In practice
In a dance workshop, one could say, 'As Savion Glover puts it, dance is like slang, constantly evolving.'
Just like a comedian has a certain joke or a jazz musician has a riff that they know will get the crowd, a tap dancer always has a step.
For me, the importance in learning about the dance is using it as a voice. It's not about a step, it's about a way to express oneself.
There are many different styles of, and approaches to, tap. My own leans towards a more intellectual view: tap dancing not just for the sake of entertainment but to educate and spark emotion.
I can produce any instrument, any sound that I can imagine; it may be percussive to the audience, but in my mind it may be a piano, a melody, or a tuba, or a harp, or a harmonica. My mission is to allow people to hear the dance in its purity and up against any other type of sound or music.
I'm happy that people think of me as the greatest tap-dancer that ever lived. But it's just a rumor. Because the greatest dancer that ever lived knows everything, and I don't. I'm still learning. I still have a lot of work to do.
My mom couldn't afford dance shoes, so she put me in these old cowboy boots with a hard bottom so I could get some sound out. I used them for seven months. When I finally got real tap shoes, I was nervous. I kept moving my feet, thinking, 'Oh, so this is how it's supposed to sound.'
I was very into making the Big Artistic Statement - it had to be innovative; it had to be cutting edge. I was desperately keen on being original.
In words, like weeds, I'll wrap me o'er, Like coarsest clothes against the cold
Writing is simply something you must do. It's rather like virtue in that it is its own reward.
I would have liked to be - indeed, I should have been - a second Rembrandt.
If you let the plot be determined by what you feel is in the character's mind at that point, it may not turn out to be a very good play, but at least it will be a play where people are behaving in a kind of truthful way.
The reasons that drive me to write are many and the most important are the most secret, I think. Perhaps most of all this: to put something out of death's reach.
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