Poets are being pursued by the philosophers today, out of the poverty of philosophy. God damn it, you might think a man had no business to be writing, to be a poet unless some philosophic stinker gave him permission.
William Carlos WilliamsRead
But all art is sensual and poetry particularly so. It is directly, that is, of the senses, and since the senses do not exist without an object for their employment all art is necessarily objective. It doesn't declaim or explain, it presents.
Interpretation
Art, especially poetry, is rooted in sensual experience and must engage with the physical world.
William Carlos Williams emphasizes that all forms of art, poetry in particular, are inherently sensual and rooted in the tangible, physical experiences of the senses. He argues that art does not exist in isolation; rather, it requires an object to engage with, allowing it to present experiences rather than merely describe or explain them.
In practice
In a discussion about the nature of creativity, this quote can illustrate how art engages our senses.
Poets are being pursued by the philosophers today, out of the poverty of philosophy. God damn it, you might think a man had no business to be writing, to be a poet unless some philosophic stinker gave him permission.
For the beginning is assuredly the end- since we know nothing, pure and simple, beyond our own complexities.
It was the love of love, the love of swallows up all else, a grateful love, a love of natural, of people, of animals, a love ingengering gentleness and goodness that moved meand that I saw in you
O frost bitten blossoms, That are unfolding your wings From out the envious black branches. Bloom quickly and make much of the sunshine. The twigs conspire against you! Hear hem! They hold you from behind.
No opinion can be trusted; even the facts may be nothing but a printer's error.
It is almost impossible to state what one in fact believes, because it is almost impossible to hold a belief and to define it at the same time.
The writing process for a short story feels more like field geology, where you keep turning the thing over and over, noting its qualities in detail, hammering at it, putting it near flame, pouring different acids on it, and then finally you figure out what it is, or you just give up and mount it on a ring and have an awkward chunky piece of jewelry that seems weirdly dominating but that you for some reason like. I could be wrong about field geology here.
We have created characters and animated them in the dimension of depth, revealing through them to our perturbed world that the things we have in common far outnumber and outweigh those that divide us.
In the big picture, architecture is the art and science of making sure that our cities and buildings fit with the way we want to live our lives.
I see my own style as being a symbiosis of the styles of Alekhine, Tal and Fischer.
What am I in the eyes of most people - a nonentity, an eccentric, or an unpleasant person - somebody who has no position in society and will never have; in short, the lowest of the low. All right, then - even if that were absolutely true, then I should one day like to show by my work what such an eccentric, such a nobody, has in his heart.
Once I get onstage the tension explodes and I'm fine. I'm in another world - in a trance almost, doing what I love best, expressing myself through guitar.
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