They [photographs] teach you about your own unraveling past, or about the immediacy of yesterday. They show you what you look at. If you take a photograph, you've been responsive to something, and you looked hard at it. Hard for a thousandth of a second, hard for ten minutes. But hard, nonetheless. And it's the quality of that bite that teaches you how connected you were to that thing, and where you stood in relation to it, then and now.
Interpretation
Photographs offer deep insights into our past and the present moment by capturing our attention and connection to the subjects.
This quote by Joel Meyerowitz emphasizes the profound role that photography plays in both recalling our past and engaging with our present. Photographs act as visual records that reveal how we perceived particular moments in time and highlight our emotional and cognitive responses to those moments. By observing and capturing images, we not only document what we see but also explore our personal connections to those scenes, fostering a deeper understanding of our experiences and perspectives over time.
In practice
In a photography exhibition, one could use this quote to convey the emotional significance of the displayed images.
I find it strangely beautiful that the camera with its inherent clarity of object and detail can produce images that in spite of themselves offer possibilities to be more than they are a photograph of nothing very important at all, nothing but an intuition, a response, a twitch from the photographer’s experience.
We think of photography as pictures. And it is. But I think of photography as ideas. And do the pictures sustain your ideas or are they just good pictures? I want to have an experience in the world that is a deepening experience, that makes me feel alive and awake and conscious.
Then I thought, Whoa. If there are no photographs, then there is no history. I'm going to get in there. I'm going to make these pictures. We need a record.
Photography is about being exquisitely present.
Photography is a response that has to do with the momentary recognition of things. Suddenly you're alive. A minute later there was nothing there. I just watched it evaporate. You look one moment and there's everything, next moment it's gone. Photography is very philosophical.
I photographed the entire thing in color because to photograph it in black and white would be to keep it as a tragedy. Because there is a tragic element to photographing, in this case not war, but the collapse. It was just destruction.
Mention the gothic, and many readers will probably picture gloomy castles and an assortment of sinister Victoriana. However, the truth is that the gothic genre has continued to flourish and evolve since the days of Bram Stoker, producing some of its most interesting and accomplished examples in the 20th century - in literature, film and beyond.
Specificity is what makes good storytelling, and good storytelling is what makes money, and making money is then what encourages new producers to invest in different stories about Asians.
What critics call dirty in our pictures, they call lusty in foreign films.
I hope that I can make good music out of whatever genre I go into. Just to prove to myself that I can.
The realists do not take the photograph for a 'copy' of reality, but for an emanation of past reality, a magic, not an art.
Every artist is an unhappy lover. And unhappy lovers want to tell their story.
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