Specificity is what makes good storytelling, and good storytelling is what makes money, and making money is then what encourages new producers to invest in different stories about Asians.
Interpretation
Good storytelling enhances clarity and detail, leading to financial success and encouraging investment in diverse narratives.
In this quote, Constance Wu emphasizes the importance of specificity in storytelling, suggesting that well-crafted, detailed narratives not only capture an audience's interest but also drive financial success. This financial success is crucial as it encourages producers to explore and invest in a wider array of stories, particularly those that represent Asian experiences and identities, thereby promoting diversity in storytelling within the entertainment industry.
In practice
This quote could be used in a speech about the importance of representation in film and television.
All furnished, all in arms;_x000D_ _x000D_ All plum'd like estridges that with the wind_x000D_ _x000D_ Bated like eagles having lately bathed;_x000D_ _x000D_ Glittering in golden coats like images;_x000D_ _x000D_ As full of spirit as the month of May_x000D_ _x000D_ And gorgeous as the sun at midsummer;_x000D_ _x000D_ Wanton as youthful goats, wild as young bulls.
An interior is the natural projection of the soul.
I never even thought about whether or not they understand what I'm doing . . . the emotional reaction is all that matters as long as there's some feeling of communication, it isn't necessary that it be understood.
A painting is nothing more than light reflected from the surface of a pigment-covered canvas. But a great painter can make you see the depth, make you feel the underlying emotion, make you sense the larger world. That, too, is the power of science: to sense and convey the depth and dimensionality of nature, to glance at the surface and to divine the shape of the universe around us.
The obsession with performance left no room for the development of the intuitive or spiritual impact of space and form other than the aesthetic of the machine itself.
I don't sing operatically, and I sing very intimately, but I still do the scales, and I think in terms of intonation and making sure that I'm hitting the notes right on the head... and having it appear quite effortless.
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