The photo is a thing in itself. And that's what still photography is all about.
Garry WinograndRead
Sometimes photographers mistake emotion for what makes a great street photograph.
Interpretation
Great street photography goes beyond capturing mere emotions; it involves deeper elements of composition and context.
Garry Winogrand's quote suggests that many photographers may prioritize the emotional aspect of a moment when taking a street photograph, overlooking the fundamental principles of good composition, context, and storytelling that contribute to a truly great image. Street photography is an art form that requires a balance between emotion and technical skill to create impactful visuals.
In practice
In a photography workshop, you might say, 'Remember Garry Winogrand's perspective on photography when capturing street life.'
The photo is a thing in itself. And that's what still photography is all about.
The photograph should be more interesting or more beautiful than what was photographed
Photography is about finding out what can happen in the frame. When you put four edges around some facts, you change those facts.
When Iβm photographing I see life.
Photography is not about the thing photographed. It is about how that thing looks photographed.
I like to think of photographing as a two-way act of respect. Respect for the medium, by letting it do what it does best, describe. And respect for the subject, by describing it as it is. A photograph must be responsible to both.
I'm not a journalist; I'm a poet.
You can approach the act of writing with nervousness, excitement, hopefulness, or even despair - the sense that you can never completely put on the page what's in your mind and heart. You can come to the act with your fists clenched and your eyes narrowed, ready to kick ass and take down names. You can come to it because you want a girl to marry you or because you want to change the world. Come to it any way but lightly. Let me say it again: you must not come lightly to the blank page.
There really is no such thing as art. There are only artists.
Tina Turner is someone that I admire, because she made her strength feminine and sexy. Marilyn Monroe, because she was a curvy woman. I'm drawn to things that have the same kind of silhouettes as what she wore because our bodies are similar.
Great works of art have no more affecting lesson for us than this. They teach us to abide by our own spontaneous expression with good humored inflexibility whether the whole cry of voices is on the other side.
When you're writing with an artist or for an artist, you have to help them serve their vision. That's the cool part about writing songs. There are no rules.
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