I spent lunchtime in a grave during the filming of 'Bloody Mama.' When you're younger, you feel that's what you need to do to help you stay in character. When you get older, you become more confident and less intense about it - and you can achieve the same effect.
Interpretation
The quote reflects an actor's evolving approach to character immersion over time.
Robert De Niro shares his experience of how, in his younger years, he felt the need to fully immerse himself in a role to stay in character, even to the extreme of spending time in a grave. As he aged, he grew more confident and realized that he could achieve depth in his performances without such intense measures, highlighting a transition from reliance on extreme methods to a more nuanced understanding of acting.
In practice
In a discussion about method acting at a film festival.
You never know what you do that could be totally out of left field, which actually might work and give something fresh to the whole scene, to the character, whatever. If you have that with a director who then knows how to shape it, either in the direction, in the moment, or in the editing, then that's good.
I think Hollywood has a class system. The actors are like the inmates, but the truth is they're running the asylum.
The mind of a writer can be a truly terrifying thing. Isolated, neurotic, caffeine-addled, crippled by procrastination, consumed by feelings of panic, self-loathing, and soul-crushing inadequacy. And that’s on a good day.
If you're an actor, always be true to your character. If you are not an actor, have character and always be true to yourself.
My method of getting a play across the footlights is like a revolver shooting: every line has a bullet in it and comes with an explosion.
Art is not ideology. It is completely impossible to explain art on the basis of the homological relation that it is supposed to maintain with the real of history. The aesthetic process decentres the specular relation with which ideology perpetuates its closed infinity. The aesthetic effect is certainly imaginary; but this imaginary is not the reflection of the real, since it is the real of this reflection.
Geniuses can be scintillating and geniuses can be somber, but it's that inescapable sorrowful depth that shines through-originality.
I do a lot of curiosity buying; I buy it if I like the album cover, I buy it if I like the name of the band, anything that sparks my imagination.
In fiction, imaginary people become realer to us than any named celebrity glimpsed in a series of rumored events, whose causes and subtler ramifications must remain in the dark. An invented figure like Anna Karenina or Emma Bovary emerges fully into the light of understanding, which brings with it identification, sympathy and pity.
So many cartoonists draw the same year after year. When they find a style, they stick with it. They don't mess with innovation, and they become boring.
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