I'm just glad that I'm the musical equivalent of a character actress, because blues singers can keep singing and having an audience at 35, and someone like Madonna's gonna have to find something else to do, 'cos I don't care how pointy those bras are that she wears, they're still gonna look a little odd when she's 55!
Interpretation
The quote reflects the lasting nature of certain types of artistry over time, comparing the longevity of blues singing to more commercially driven pop careers.
Bonnie Raitt uses this quote to express her appreciation for being a versatile and enduring musical artist, likening herself to a character actress whose skills can sustain for years. She contrasts this with pop icons like Madonna, suggesting that as age sets in, the extravagant personas that often dominate the pop world may not translate as well into longevity and authenticity in performance.
In practice
This quote could be used at a music conference discussing the evolution of different musical genres over the years.
I'm happy to say that at 62, I think I've reached that point where stuff doesn't bother me as much, and my gratitude level has gone way up, especially having gone through the loss that I've had, and losing so many of the great artists that I was close to. They taught me how to see it with a grain of salt and a lot of humor and perspective.
Especially girls, but any kids exposed to music programs and arts programs do much better on their tests. They have a better chance of going to college. They can focus better. You know, we're not just automatons learning how to work machines and do engineering and math and science. All of that's great, but you've got to build a whole person.
I think it's our job to write about what we're going through at the moment, and being 41, I'm not going to write about the same things I wrote about at 20. I don't think artists should be farmed out to pasture just because they're in rock n' roll.
Superficial pop will always exist - there've always been Fabians - but when people like Dire Straits and Bruce Hornsby start having hits, it suggests that there's a revolution going on in music.
Nobody taught me to play bottleneck. I just saw it and taught myself. I got an old bottle and steamed the label off, put it on the wrong finger, I basically did everything wrong until I met some of the Blues legends early in my career who taught me another way. I didn't have anyone to tell me women didn't play bottleneck.
We did a two month tour with Taj Mahal that was really healing and cathartic and a good distraction after my brother passed away. Then I knew I wanted to take a year off, and it was really nice to have that chance to fall apart.
Know what the old masters did. Know how they composed their pictures, but do not fall into the conventions they established. These conventions were right for them, and they are wonderful. They made their language. You make yours. All the past can help you.
You finish a film not in the editing, but in the conversations that audiences have with themselves - and in that sense, every viewer is making a slightly different film. And that's wonderful.
If you go to a big publishing house, editorial aside, it's completely white.
Real people move, they bear with them the element of time. It is this fourth dimension of people that I try to capture in a photograph.
There is an angel imprisoned in it and I must set it free.
Through most of my career, I've made a decent living making movies no one wants to see.
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