I occasionally play works by contemporary composers and for two reasons. First to discourage the composer from writing any more and secondly to remind myself how much I appreciate Beethoven.
Jascha HeifetzRead
Criticism does not disturb me, for I am my own severest critic. Always in my playing I strive to surpass myself, and it is this constant struggle that makes music fascinating to me.
Interpretation
The quote emphasizes self-criticism as a driving force for personal improvement in music.
Jascha Heifetz's quote reflects the idea that true mastery and passion in art come from within. Rather than being discouraged by external criticism, Heifetz finds motivation in his own pursuit of excellence, striving to transcend his past performances. This internal drive not only enhances his skills but also enriches his musical experience, making the act of creation inherently captivating.
In practice
In a motivational speech about artistic pursuits, this quote can inspire musicians to focus on self-improvement.
I occasionally play works by contemporary composers and for two reasons. First to discourage the composer from writing any more and secondly to remind myself how much I appreciate Beethoven.
If I don't practice one day, I know it; two days, the critics know it; three days, the public knows it.
No matter what side of the argument you are on, you always find people on your side that you wish were on the other.
Can you appreciate music without playing it? Yes, you can. You can appreciate baseball without playing it. Many people attend a football game merely for the crowd, the excitement, the color.
A writer - and, I believe, generally all persons - must think that whatever happens to him or her is a resource. All things have been given to us for a purpose, and an artist must feel this more intensely. All that happens to us, including our humiliations, our misfortunes, our embarrassments, all is given to us as raw material, as clay, so that we may shape our art.
The writers job is to get naked, To hide nothing. To look away from nothing. To look at it. To not blink. To be not embarrassed or shamed of it. Strip it down and lets get down to where the blood is, the bone is. Instead of hiding it with clothes and all kinds of other stuff, luxury!
You know what I do? I listen to other people, stumbling about with their half thoughts and half sentences and their clumsy feelings that they can't express, and it hurts me. So I go home and burnish it and polish it and weld it to a rhythmic frame, make the dull colors gleam, mute the garish artificiality to pastels, so it doesn't hurt any more: that's my poem. I know what they want to say, and I say it for them.
What can art really do in the face of atrocity?
This idea of imposing an order is very interesting to me. Photography is in essence an analytic medium. … In photography, you start with the whole world and every decision you make imposes an order on it. The question is to what extent it’s an idealized order I’m imposing or is it an order that grows out of what the world looks like.
Fashion is in the sky, the streets, fashion has to do with ideas, the way in which we live, the events surrounding us.
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