I occasionally play works by contemporary composers and for two reasons. First to discourage the composer from writing any more and secondly to remind myself how much I appreciate Beethoven.
Jascha HeifetzRead
Can you appreciate music without playing it? Yes, you can. You can appreciate baseball without playing it. Many people attend a football game merely for the crowd, the excitement, the color.
Interpretation
Appreciation can exist independently from participation.
This quote highlights the distinction between experiencing something as a spectator versus being an active participant. It suggests that one can derive joy and understanding from art, sports, or any activity without needing to engage in it directly, emphasizing that appreciation in itself is valuable.
In practice
This quote can be used during a discussion about the importance of art appreciation in schools.
I occasionally play works by contemporary composers and for two reasons. First to discourage the composer from writing any more and secondly to remind myself how much I appreciate Beethoven.
If I don't practice one day, I know it; two days, the critics know it; three days, the public knows it.
Criticism does not disturb me, for I am my own severest critic. Always in my playing I strive to surpass myself, and it is this constant struggle that makes music fascinating to me.
No matter what side of the argument you are on, you always find people on your side that you wish were on the other.
Beautiful young people are accidents of nature, but beautiful old people are works of art.
Jazz is a white term to define black people. My music is black classical music.
A scientist can pretend that his work isn't himself, it's merely the impersonal truth. An artist can't hide behind the truth. He can't hide anywhere.
Didn't you know I'm going to be the greatest, most entertaining author and artist in the world? Well, don't feel badly, I didn't either!
So here I stand before you preaching organic architecture: declaring organic architecture to be the modern ideal and the teaching so much needed if we are to see the whole of life, and to now serve the whole of life, holding no traditions essential to the great TRADITION. Nor cherishing any preconceived form fixing upon us either past, present or future, but-instead-exalting the simple laws of common sense-or of super-sense if you prefer-determining form by way of the nature of materials.
Conceptually, I am open to mistakes - errors, actually. I do play lots of wrong notes while I am making some music, and a mistake or a wrong note is like a gift for me: 'Oh, wow, an unknown sound or an unknown harmony. I didn't know about this.'
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