People have to start talking to know more about other cultures and to understand each other.
Some of my films are known for the depiction of violence. I don't have anything to prove with that any more.
Interpretation
What this quote means
Martin Scorsese reflects on his past work, emphasizing that he no longer feels the need to justify his use of violence in films.
In this quote, Martin Scorsese acknowledges that some of his films are recognized for their portrayal of violence. He suggests that he has reached a point in his career where he no longer feels obligated to justify this choice, indicating a sense of confidence and acceptance in his artistic expression. This statement reflects the broader conversation about the role of violence in cinema and the personal freedom that comes with experience and self-assurance as an artist.
Themes
In practice
Example use cases
In a film studies class when discussing the evolution of a director's work.
More from Martin Scorsese
All quotes βEradicating a religion of kindness is, I think, a terrible thing for the Chinese to attempt.
I think all the great studio filmmakers are dead or no longer working. I don't put myself, my friends, and other contemporary filmmakers in their category. I just see us doing some work.
I always say that I've been in a bad mood for maybe 35 years now. I try to lighten it up, but that's what comes out when you get me on camera.
The cinema began with a passionate, physical relationship between celluloid and the artists and craftsmen and technicians who handled it, manipulated it, and came to know it the way a lover comes to know every inch of the body of the beloved. No matter where the cinema goes, we cannot afford to lose sight of its beginnings.
Very often I've known people who wouldn't say a word to each other, but they'd go to see movies together and experience life that way.
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They're the best critics. Workshops are good, and drama teachers are fine, but the best is the audience. And even better if they're paying!
American writers ought to stand and live in the margins, and be more dangerous.
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I don't begin a novel or a screenplay until I know the ending. And I don't mean only that I have to know what happens. I mean that I have to hear the actual sentences. I have to know what atmosphere the words convey.