People have to start talking to know more about other cultures and to understand each other.
I think all the great studio filmmakers are dead or no longer working. I don't put myself, my friends, and other contemporary filmmakers in their category. I just see us doing some work.
Interpretation
What this quote means
Scorsese reflects on the legacy of past filmmakers while distancing himself and his contemporaries from that greatness.
In this quote, Martin Scorsese acknowledges the profound impact and artistic mastery of great filmmakers from the past, asserting that he does not equate his work or that of his peers to the legendary status of those who came before. This statement highlights a sense of humility and appreciation for the history of cinema, while suggesting that contemporary filmmakers are still exploring and contributing to the medium in their own unique ways.
Themes
In practice
Example use cases
This quote can be shared during a film appreciation class to prompt discussion about the evolution of cinema.
More from Martin Scorsese
All quotes →Eradicating a religion of kindness is, I think, a terrible thing for the Chinese to attempt.
I always say that I've been in a bad mood for maybe 35 years now. I try to lighten it up, but that's what comes out when you get me on camera.
The cinema began with a passionate, physical relationship between celluloid and the artists and craftsmen and technicians who handled it, manipulated it, and came to know it the way a lover comes to know every inch of the body of the beloved. No matter where the cinema goes, we cannot afford to lose sight of its beginnings.
Very often I've known people who wouldn't say a word to each other, but they'd go to see movies together and experience life that way.
Basically, you make another movie, and another, and hopefully you feel good about every picture you make. And you say, 'My name is on that. I did that. It's OK.' But don't get me wrong, I still get excited by it all. That, I hope, will never disappear.
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I write from this tight third-person viewpoint, where each chapter is seen through the eyes of one individual character. When I'm writing that character, I become that character and identify with that character.
One morning, one of us ran out of the black, it was the birth of Impressionism.
I was always trying - I never wanted to let my fans down; I always wanted them to see me in my art form.
It is a symbol of Irish art. The cracked looking-glass of a servant.