People have to start talking to know more about other cultures and to understand each other.
I think all the great studio filmmakers are dead or no longer working. I don't put myself, my friends, and other contemporary filmmakers in their category. I just see us doing some work.
Interpretation
What this quote means
Scorsese reflects on the legacy of past filmmakers while distancing himself and his contemporaries from that greatness.
In this quote, Martin Scorsese acknowledges the profound impact and artistic mastery of great filmmakers from the past, asserting that he does not equate his work or that of his peers to the legendary status of those who came before. This statement highlights a sense of humility and appreciation for the history of cinema, while suggesting that contemporary filmmakers are still exploring and contributing to the medium in their own unique ways.
Themes
In practice
Example use cases
This quote can be shared during a film appreciation class to prompt discussion about the evolution of cinema.
More from Martin Scorsese
All quotes βEradicating a religion of kindness is, I think, a terrible thing for the Chinese to attempt.
I always say that I've been in a bad mood for maybe 35 years now. I try to lighten it up, but that's what comes out when you get me on camera.
The cinema began with a passionate, physical relationship between celluloid and the artists and craftsmen and technicians who handled it, manipulated it, and came to know it the way a lover comes to know every inch of the body of the beloved. No matter where the cinema goes, we cannot afford to lose sight of its beginnings.
Very often I've known people who wouldn't say a word to each other, but they'd go to see movies together and experience life that way.
Basically, you make another movie, and another, and hopefully you feel good about every picture you make. And you say, 'My name is on that. I did that. It's OK.' But don't get me wrong, I still get excited by it all. That, I hope, will never disappear.
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I've always loved the idea that you think you know what you're looking at from a distance, yet when you come up close, it gets intricate and nutty and obscene and provocative.
One thing is for sure-none of the arts flourishes on censorship and repression. And by this time it should be evident that the American public is capable of doing its own censoring.
I didn't begin my life in 1975 with 'Horses.' I recorded 'Horses' in 1975, but was drawing in Paris in 1969.
There is only one true thing: instantly paint what you see. When you've got it, you've got it. When you haven't, you begin again. All the rest is humbug.
Chaplin and Keaton are still the best. They know that there is nothing more serious than laughter, an art demanding infinite work, and that as long as the world revolves, making others laugh is the most splendid of activities.
A book is never a masterpiece: it becomes one. Genius is the talent of a dead man.