Associate with the noblest people you can find; read the best books; live with the mighty; but learn to be happy alone.
Saul BellowRead
Any artist should be grateful for a naive grace which puts him beyond the need to reason elaborately.
Interpretation
Artists should appreciate the simplicity and instinctive creativity that allows them to create without overthinking.
Saul Bellow's quote emphasizes the importance of an innate, unrefined talent that allows artists to express themselves freely and authentically. This 'naive grace' frees them from the analytical constraints that can hinder the creative process, suggesting that sometimes pure instinct can lead to the most profound artistic expressions.
In practice
In an art class, a teacher might use this quote to inspire students to trust their instincts.
Associate with the noblest people you can find; read the best books; live with the mighty; but learn to be happy alone.
When we ask for advice, we are usually looking for an accomplice.
In here, the human bosom -- mine, yours, everybody's -- there isn't just one soul. There's a lot of souls. But there are two main ones, the real soul and a pretender soul. Now! Every man realizes that he has to love something or somebody. He feels that he must go outward. 'If thou canst not love, what art thou?' Are you with me?
I've discovered that rejections are not altogether a bad thing. They teach a writer to rely on his own judgment and to say in his heart of hearts, 'To hell with you.'
I see that I've become a really bad correspondent. It's not that I don't think of you. You come into my thoughts often. But when you do it appears to me that I owe you a particularly grand letter. And so you end in the "warehouse of good intentions": "Can't do it now." "Then put it on hold." This is one's strategy for coping with old age, and with death--because one can't die with so many obligations in storage. Our clever species, so fertile and resourceful in denying its weaknesses.
A great deal of intelligence can be invested in ignorance when the need for illusion is deep.
Don't worry about people stealing your design work. Worry about the day they stop.
For me, every day is a new thing. I approach each project with a new insecurity, almost like the first project I ever did. And I get the sweats. I go in and start working, I'm not sure where I'm going. If I knew where I was going I wouldn't do it.
In Seattle, I soon found that my radical ideas and aesthetic explorations - ideas and explorations that in Richmond, Virginia, might have gotten me stoned to death with hush puppies - were not only accepted but occasionally applauded.
In the writing process, the more the story cooks, the better. The brain works for you even when you are at rest. I find dreams particularly useful. I myself think a great deal before I go to sleep and the details sometimes unfold in the dream.
Anything can become a musical sound. The wind on telegraph wires is a great sound; get it into your machine and play it and it becomes interesting.
I've heard some writers say things like, 'Well, I'm a professional writer. I only start books I know I can finish.' I look at it maybe the other way: I only want to write books I'm not sure I can write.
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