Look, architecture has a lot of places to hide behind, a lot of excuses. "The client made me do this." "The city made me do this." "Oh, the budget." I don't believe that anymore.
Frank GehryRead
For me, every day is a new thing. I approach each project with a new insecurity, almost like the first project I ever did. And I get the sweats. I go in and start working, I'm not sure where I'm going. If I knew where I was going I wouldn't do it.
Interpretation
Every day presents new challenges that provoke self-doubt, akin to starting anew.
In this quote, Frank Gehry reflects on the nature of creativity, emphasizing that each new project brings about feelings of insecurity and the unknown. He acknowledges that if he were fully certain of his path, the spontaneity and excitement of creation would be lost, suggesting that the uncertainty is an integral part of the artistic process.
In practice
These words can inspire students in an art class struggling with their projects.
Look, architecture has a lot of places to hide behind, a lot of excuses. "The client made me do this." "The city made me do this." "Oh, the budget." I don't believe that anymore.
Your best work is your expression of yourself.
My only extravagance in life is my sailboat. I'm bonkers about that, but other than that, I don't spend money on myself.
Liquid architecture. It's like jazz - you improvise, you work together, you play off each other, you make something, they make something. And I think it's a way of - for me, it's a way of trying to understand the city, and what might happen in the city.
An architect is given a program, budget, place, and schedule. Sometimes the end product rises to art - or at least people call it that.
I don't know why people hire architects and then tell them what to do.
All the charming and beautiful things, from the Song of Songs, to bouillabaisse, and from the nine Beethoven symphonies to the Martini cocktail, have been given to humanity by men who, when the hour came, turned from tap water to something with color in it, and more in it than mere oxygen and hydrogen.
Art is never chaste. It ought to be forbidden to ignorant innocents, never allowed into contact with those not sufficiently prepared. Yes, art is dangerous. Where it is chaste, it is not art.
Film is a disease. When it infects your bloodstream, it takes over as the number one hormone; it bosses the enzymes; directs the pineal gland; plays Iago to your psyche. As with heroin, the antidote to film is more film.
One truth is the swing of the sentence, the beat and poise, but down deeper it's the integrity of the writer as he matches with the language.
[When accepting the American Film Institute Life Achievement award] I beg permission to mention by name only four people who have given me the most affection, appreciation, and encouragement, and constant collaboration. The first of the four is a film editor, the second is a scriptwriter, the third is the mother of my daughter Pat (Patricia Hitchcock), and the fourth is as fine a cook as ever performed miracles in a domestic kitchen. And their names are Alma Reville.
Emily Dickinson never developed. She remained loyal to her persona and to that same little metrical song that stood her in such good stead. She is a striking example of complexity within a simple package. Her rhymes are like bows on the package.
Subscribe for the occasional hand-picked quote. No noise.