Look, architecture has a lot of places to hide behind, a lot of excuses. "The client made me do this." "The city made me do this." "Oh, the budget." I don't believe that anymore.
Frank GehryRead
Your best work is your expression of yourself.
Interpretation
This quote emphasizes the importance of personal expression in creative work.
Frank Gehry, a renowned architect, suggests that the highest quality of one's work comes from being authentically oneself. This principle highlights the connection between individual identity and creativity, implying that when people infuse their true selves into their work, it results in more impactful and genuine creations.
In practice
In a motivational speech about creativity at a local art workshop.
Look, architecture has a lot of places to hide behind, a lot of excuses. "The client made me do this." "The city made me do this." "Oh, the budget." I don't believe that anymore.
My only extravagance in life is my sailboat. I'm bonkers about that, but other than that, I don't spend money on myself.
For me, every day is a new thing. I approach each project with a new insecurity, almost like the first project I ever did. And I get the sweats. I go in and start working, I'm not sure where I'm going. If I knew where I was going I wouldn't do it.
Liquid architecture. It's like jazz - you improvise, you work together, you play off each other, you make something, they make something. And I think it's a way of - for me, it's a way of trying to understand the city, and what might happen in the city.
An architect is given a program, budget, place, and schedule. Sometimes the end product rises to art - or at least people call it that.
I don't know why people hire architects and then tell them what to do.
I think the fact that I grew up in show business had a real effect on my personality. If you were born in New York during the golden age of television, and you grew up on Broadway, that marks you.
I don't have a therapist, so I use me as my own therapist when I'm making the music.
Writing poetry is such an intense experience that it helps to start the process in a casual or wayward frame of mind.
I paint not the things I see but the feelings they arouse in me.
I know I'm not the greatest singer or dancer, but that doesn't interest me. I'm interested in being provocative and pushing people's buttons.
Of course I know that the twins are only words on a page, and I'm certainly not the sort of writer who talks to his characters or harbours any illusions about the creative process. But at the same time, I think it's juvenile and arrogant when literary writers compulsively remind their readers that the characters aren't real. People know that already. The challenge is to make an intelligent reader suspend disbelief, to seduce them into the reality of a narrative.
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