Your best work is your expression of yourself.
Frank GehryRead
Look, architecture has a lot of places to hide behind, a lot of excuses. "The client made me do this." "The city made me do this." "Oh, the budget." I don't believe that anymore.
Interpretation
Frank Gehry emphasizes accountability in architecture, rejecting excuses for poor design choices.
In this quote, Frank Gehry asserts that architects often hide behind external factors such as client demands, city regulations, and budget constraints to justify their design decisions. He challenges this notion, advocating for personal accountability and creative integrity in the architectural profession, suggesting that architects should take ownership of their work rather than deferring blame to outside influences.
In practice
In a workshop on design accountability, this quote can inspire architects to embrace their role in shaping spaces.
Your best work is your expression of yourself.
My only extravagance in life is my sailboat. I'm bonkers about that, but other than that, I don't spend money on myself.
For me, every day is a new thing. I approach each project with a new insecurity, almost like the first project I ever did. And I get the sweats. I go in and start working, I'm not sure where I'm going. If I knew where I was going I wouldn't do it.
Liquid architecture. It's like jazz - you improvise, you work together, you play off each other, you make something, they make something. And I think it's a way of - for me, it's a way of trying to understand the city, and what might happen in the city.
An architect is given a program, budget, place, and schedule. Sometimes the end product rises to art - or at least people call it that.
I don't know why people hire architects and then tell them what to do.
In a portrait, you have room to have a point of view. The image may not be literally what's going on, but it's representative.
The secret of it all, is to write in the gush, the throb, the flood, of the moment – to put things down without deliberation – without worrying about their style – without waiting for a fit time or place. I always worked that way. I took the first scrap of paper, the first doorstep, the first desk, and wrote – wrote, wrote…By writing at the instant the very heartbeat of life is caught.
We all know that a good person can be a bad artist.But no one will ever be a genuine artist unless he is a great human being and thus also a good one.
As I started writing about loss and grief, I was taking what felt unmanageable and using my songwriting, my sense of poetry and discipline, to try and make it manageable.
The object of art is not to make salable pictures. It is to save yourself.
I've made movies that I thought were okay, but then I was very good. And sometimes you're in a movie and you think, 'I wish more people saw that' - because you're good. And it just works out that the movie gets lost. But that's show business.
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