People have to start talking to know more about other cultures and to understand each other.
Martin ScorseseRead
The cinema began with a passionate, physical relationship between celluloid and the artists and craftsmen and technicians who handled it, manipulated it, and came to know it the way a lover comes to know every inch of the body of the beloved. No matter where the cinema goes, we cannot afford to lose sight of its beginnings.
Interpretation
This quote emphasizes the deep connection and passion that filmmakers have with the medium of cinema.
Martin Scorsese reflects on the intimate relationship filmmakers share with the craft of cinema, comparing it to a lover's knowledge of their partner. He urges us to appreciate and remember the origins of cinema, suggesting that this passionate connection is essential to its future.
In practice
In a film class, you might use this quote to highlight the importance of understanding cinema's origins.
People have to start talking to know more about other cultures and to understand each other.
Eradicating a religion of kindness is, I think, a terrible thing for the Chinese to attempt.
I think all the great studio filmmakers are dead or no longer working. I don't put myself, my friends, and other contemporary filmmakers in their category. I just see us doing some work.
I always say that I've been in a bad mood for maybe 35 years now. I try to lighten it up, but that's what comes out when you get me on camera.
Very often I've known people who wouldn't say a word to each other, but they'd go to see movies together and experience life that way.
Basically, you make another movie, and another, and hopefully you feel good about every picture you make. And you say, 'My name is on that. I did that. It's OK.' But don't get me wrong, I still get excited by it all. That, I hope, will never disappear.
Everything vanishes round me and good works rise from me of their own accord.
No matter how big the audience is going to be. I'm interested in doing things that are fun.
If I heard someone else singing like me, I would buy it in a heartbeat.
The reality of the final moment, just before shooting [the scene], is so powerful that all previous analysis must yield before the impressions you receive under these circumstances, and unless you use this feedback to your positive advantage, unless you adjust to it, adapt to it and accept the sometimes terrifying weaknesses it can expose, you can never realize the most out of your film.
If I create with my heart almost all my intentions remain. If it is with the head - almost nothing. An artist must not fear to be himself, to express only himself. If he is absolutely and entirely sincere, what he says and does will be acceptable to others.
It's always a nice feeling, having people think that you feel things much deeper than you're allowed to say, but this isn't true. If you want to find out what a writer or a cartoonist really feels, look at his work. That's enough.
Subscribe for the occasional hand-picked quote. No noise.