Is not the most erotic part of the body wherever the clothing affords a glimpse?
Roland BarthesRead
The realists do not take the photograph for a 'copy' of reality, but for an emanation of past reality, a magic, not an art.
Interpretation
This quote suggests that photographs are not mere copies of reality but rather reflections of past experiences infused with a sense of magic.
Roland Barthes highlights the distinction between capturing reality in photography and merely replicating it. He proposes that photographs hold an emotional and magical connection to the past, going beyond simple representation to evoke memories and sentiments, making them an expression of lived experiences rather than just a documentary tool.
In practice
In a photography workshop, this quote could inspire participants to think deeply about the emotional impact of their photos.
Is not the most erotic part of the body wherever the clothing affords a glimpse?
If I acknowledge my dependency, I do so because for me it is a means of signifying my demand: in the realm of love, futility is not a "weakness" or an "absurdity": it is a strong sign: the more futile, the more it signifies and the more it asserts itself as strength.)
The gesture of the amorous embrace seems to fulfill, for a time, the subject's dream of total union with the loved being: The longing for consummation with the other.
The text is a tissue of quotations drawn from the innumerable centres of culture.
I think that cars today are almost the exact equivalent of the great Gothic cathedrals: I mean the supreme creation of an era, conceived with passion by unknown artists, and consumed in image if not in usage by a whole population which appropriates them as a purely magical object.
All those young photographers who are at work in the world, determined upon the capture of actuality, do not know that they are agents of Death.
In HEATHEN, R. Flowers Rivera remixes the classical and the Biblical, the usual and the typical until what we thought we knew of ourselves and others is new again. The mythic becomes particular; the particular becomes mythic in these fascinating poems of personalities and personas. Riveraβs work is rich in empathy and invention. Heathen is a book of psalms for the present day.
I view my hair and clothes as functional art.
Here the frailest leaves of me and yet my strongest lasting, Here I shade and hide my thoughts, I myself do not expose them, And yet they expose me more than all my other poems
I've wanted to design golf courses ever since I was a kid. I suppose it comes from the way I've played the game. To find the proper way to play any hole, I've always begun by asking myself what the architect has tried to do with it.
Art supplies constantly to contemplation what nature seldom affords in concrete experience - the union of life and peace.
I think all creative people are operating from the fear that, of the best of what they did, will anybody remember it? Will anybody tell stories about them? Will anybody keep those pictures on the mantle long after they are gone? It's why people write stories. It's peoples' grave markers.
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