I canβt stand these damn shows on museum walls with neat little frames, where you look at the images as if they were pieces of art. I want them to be pieces of life!
W. Eugene SmithRead
Most photographers seem to operate with a pane of glass between themselves and their subjects. They just can't get inside and know the subject.
Interpretation
Photographers often create a barrier between themselves and their subjects, hindering genuine connection.
W. Eugene Smith's quote highlights the challenge photographers face in truly understanding and connecting with their subjects. It suggests that many photographers may rely too heavily on technical aspects and remain emotionally distant, which prevents them from capturing the essence of who their subjects really are.
In practice
In a presentation about the art of photography, this quote can emphasize the importance of emotional connection.
I canβt stand these damn shows on museum walls with neat little frames, where you look at the images as if they were pieces of art. I want them to be pieces of life!
I've never made any picture, good or bad, without paying for it in emotional turmoil.
Up to and including the moment of exposure, the photographer is working in an undeniably subjective way. By his choice of technical approach, by the selection of the subject matterand by his decision as to the exact cinematic instant of exposure, he is blending the variables of interpretation into an emotional whole.
I try to take what voice I have and I give it to those who donβt have one at all.
The photographer must bear the responsibility for his work and its effect β¦[for] photographic journalism, because of its tremendous audience reached by publications using it, has more influence on public thinking than any other branch of photography.
Many claim I am a photographer of tragedy. In the greater sense I am not, for though I often photograph where the tragic emotion is present, the result is almost invariably affirmative.
Beauty always takes place in the particular, and if there are no particulars, the chances of seeing it go down
IN ANSWER TO THE QUESTION: WHAT SCENES ONE WOULD LIKE TO HAVE FILMED Shakespeare in the part of the King's Ghost. The beheading of Louis the Sixteenth, the drums drowning his speech on the scaffold. Herman Melville at breakfast, feeling a sardine to his cat. Poe's wedding. Lewis Carroll's picnics. The Russians leaving Alaska, delighted with the deal. Shot of a seal applauding.
A creative mess is better than idle tidiness.
The principal role of a logo is to identify, and simplicity is its means... Its effectiveness depends on distinctiveness, visibility, adaptability, memorability, universality, and timelessness.
All we ever wanted was for Tupac to have the opportunity to tell his story.
In Britten or Berg, there's a tension between the sweet and the sour, between the familiar and the unfamiliar, the tonal and the atonal, the happy and the sad. That, to me, is what all western art is about - that tension. It's why we want to say anything at all.
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