I canβt stand these damn shows on museum walls with neat little frames, where you look at the images as if they were pieces of art. I want them to be pieces of life!
W. Eugene SmithRead
I've never made any picture, good or bad, without paying for it in emotional turmoil.
Interpretation
Creating art often comes at a personal cost, reflecting the emotional experiences of the artist.
W. Eugene Smith's quote emphasizes that the process of creating art is deeply intertwined with the artist's emotional journey. Whether the final product is deemed successful or not, the emotional struggles and turmoil faced during its creation are what ultimately shape the artwork and the artist's experience, highlighting the profound connection between personal experience and creative expression.
In practice
In a speech about the importance of creativity at an art seminar.
I canβt stand these damn shows on museum walls with neat little frames, where you look at the images as if they were pieces of art. I want them to be pieces of life!
Most photographers seem to operate with a pane of glass between themselves and their subjects. They just can't get inside and know the subject.
Up to and including the moment of exposure, the photographer is working in an undeniably subjective way. By his choice of technical approach, by the selection of the subject matterand by his decision as to the exact cinematic instant of exposure, he is blending the variables of interpretation into an emotional whole.
I try to take what voice I have and I give it to those who donβt have one at all.
The photographer must bear the responsibility for his work and its effect β¦[for] photographic journalism, because of its tremendous audience reached by publications using it, has more influence on public thinking than any other branch of photography.
Many claim I am a photographer of tragedy. In the greater sense I am not, for though I often photograph where the tragic emotion is present, the result is almost invariably affirmative.
The sheer ease with which we can produce a superficial image often leads to creative disaster.
The Poet is a kinsman in the clouds Who scoffs at archers, loves a stormy day; But on the ground, among the hooting crowds, He cannot walk, his wings are in the way.
An actress can only play a woman. I'm an actor, I can play anything.
Why can't I write something that would awake the dead? That pursuit is what burns most deeply.
I always thought I'd eventually learn how to draw really well, and despite constant evidence to the contrary, I just kept on trying. If you're too good at anything, you don't have to think about the process, whereas I feel like I spend my life with my head under the bonnet, trying to understand how everything works.
I wake up from dreams and go, 'Wow, put this down on paper.' The whole thing is strange. You hear the words, everything is right there in front of your face. ... I am always writing a potpourri of music. I want to give the world escapism through the wonder of great music and to reach the masses. ... And I remember going to the record studio and there was a park across the street and I'd see all the children playing and I would cry because it would make me sad that I would have to work instead.
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