I canβt stand these damn shows on museum walls with neat little frames, where you look at the images as if they were pieces of art. I want them to be pieces of life!
W. Eugene SmithRead
I've never made any picture, good or bad, without paying for it in emotional turmoil.
Interpretation
Creating art often comes at a personal cost, reflecting the emotional experiences of the artist.
W. Eugene Smith's quote emphasizes that the process of creating art is deeply intertwined with the artist's emotional journey. Whether the final product is deemed successful or not, the emotional struggles and turmoil faced during its creation are what ultimately shape the artwork and the artist's experience, highlighting the profound connection between personal experience and creative expression.
In practice
In a speech about the importance of creativity at an art seminar.
I canβt stand these damn shows on museum walls with neat little frames, where you look at the images as if they were pieces of art. I want them to be pieces of life!
Most photographers seem to operate with a pane of glass between themselves and their subjects. They just can't get inside and know the subject.
Up to and including the moment of exposure, the photographer is working in an undeniably subjective way. By his choice of technical approach, by the selection of the subject matterand by his decision as to the exact cinematic instant of exposure, he is blending the variables of interpretation into an emotional whole.
I try to take what voice I have and I give it to those who donβt have one at all.
The photographer must bear the responsibility for his work and its effect β¦[for] photographic journalism, because of its tremendous audience reached by publications using it, has more influence on public thinking than any other branch of photography.
Many claim I am a photographer of tragedy. In the greater sense I am not, for though I often photograph where the tragic emotion is present, the result is almost invariably affirmative.
My goal is for 'Heavy Rain' to leave an imprint in you and change a little bit of who you are and how you see things. Maybe the key characters and key moments will leave a trace in you. If you don't have this ambition as a video-game creator, then maybe you should do something else, because this is what creation and art is about.
I'm never tired of going to the studio. I enjoy recording and documenting everything and trying new things.
I can work on a verse for a very long time before realising it's not any good and then, and only then, can I discard it.
The artist part of me always wants to be appreciated. I read every review. But I never wanted to seek validation by awards or anything controlled by politics.
We Orientals find beauty not only in the thing itself but in the pattern of the shadows, the light and darkness which that thing provides.
His outflung hands traced over the threads of his rug, passed loop by loop through some patient woman's hands. Or maybe she hadn't been patient. Maybe she'd been tired, or irritated, or distracted, or hungry, or angry. Maybe she had been dying. But her hands had kept moving, all the same.
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