While the aesthetics of consumption (photographic or otherwise) requires a heroicized myth of the artist, the exemplary practice of the player-off codes requires only an operator, a producer, a scriptor, or a pasticheur.
While the aesthetics of consumption (photographic or otherwise) requires a heroicized myth of the artist, the exemplary practice of the player-off co… - Abigail Solomon-Godeau
While the aesthetics of consumption (photographic or otherwise) requires a heroicized myth of the artist, the exemplary practice of the player-off co…
- Abigail Solomon-Godeau
In the final analysis, photography... is ever a hireling, ever the hired gun. - Abigail Solomon-Godeau
In the final analysis, photography... is ever a hireling, ever the hired gun.
... photography, like all camera-made images such as film and video, effaces the marks of its making (and maker) at the click of a shutter. A photogr… - Abigail Solomon-Godeau
... photography, like all camera-made images such as film and video, effaces the marks of its making (and maker) at the click of a shutter. A photogr…
Art photography, although long since legitimized by all the conventional discourses of fine art, seems destined perpetually to recapitulate all the r… - Abigail Solomon-Godeau
Art photography, although long since legitimized by all the conventional discourses of fine art, seems destined perpetually to recapitulate all the r…
Contemporary art photography, or, more specifically, what I would term mainstream art photography, represents for the most part the mining of an exha… - Abigail Solomon-Godeau
Contemporary art photography, or, more specifically, what I would term mainstream art photography, represents for the most part the mining of an exha…
As Plato insisted two thousand years ago, it is not by means of the image that moral, ethical, or political knowledge is produced. - Abigail Solomon-Godeau
As Plato insisted two thousand years ago, it is not by means of the image that moral, ethical, or political knowledge is produced.
The thing itself is never just out there in the world waiting to be framed by the photographer's Leica; rather, it is something dynamically produced … - Abigail Solomon-Godeau
The thing itself is never just out there in the world waiting to be framed by the photographer's Leica; rather, it is something dynamically produced …
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