I hate studio. For me, studio is a trap to overproduce and repeat yourself. It is a habit that leads to art pollution.
Marina AbramovicRead
All the aggressive actions I do to myself I would never dream of doing in my own life - I am not this kind of person. I cry if I cut myself peeling potatoes. I am taking the plane, there is turbulence, I am shaking. In performance, I become, somehow, like not a mortal.
Interpretation
The quote expresses a disconnect between the artist's aggressive persona during performance and her gentler, vulnerable self in real life.
Marina Abramovic highlights the contrast between her real self and her performance identity. While she embodies strength and fearlessness on stage, in her personal life, she experiences fear and sensitivity. This duality underscores the challenging nature of performance art and reveals how artists may transcend their mortal fears to create powerful experiences, yet remain deeply human in their everyday lives.
In practice
This quote can be used in an art class to discuss the nature of vulnerability in performance art.
I hate studio. For me, studio is a trap to overproduce and repeat yourself. It is a habit that leads to art pollution.
The function of the artist in a disturbed society is to give awareness of the universe, to ask the right questions, and to elevate the mind.
First of all, to do performance art, you really have to give 100 percent. I only know that I have to give 100 percent and then what happens, happens.
Theatre is fake... The knife is not real, the blood is not real, and the emotions are not real. Performance is just the opposite: the knife is real, the blood is real, and the emotions are real.
I want people to come to me open and vulnerable. When they come to the gallery, they have to leave their watches, their computers, their Blackberrys, iPads, iPhones, because we are so incredibly used to technology, and I wanted to remove that.
When you have heartbreak, what's important is that you don't go halfway. Go all the way down. Don't take pills that keep you in limbo. Cry out all the feelings. Then your own energy for life will put you up again. You become stronger.
Let us form one body, one heart, and defend to the last warrior our country, our homes, our liberty, and the graves of our fathers.
There have always been difficult situations for activists in Pakistan. In the 1960s, people fought for linguistic and ethnic rights in relation to the Bangladesh movement and the struggle of the people in the western Balochistan province.
The problem is not getting rid of fear, but using it properly.
Power is when we have every justification to kill, and we don't.
What white man has ever seen me drunk? Who has ever come to me hungry and left me unfed? Who has seen me beat my wives or abuse my children? What law have I broken?
As far as me being inspirational to other combat-wounded guys, I would say that it's the opposite. To see guys at Walter Reed that I recovered with every day and they were missing every single one of their limbs - that is what I would say is inspiring.
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