You see a script, and you say, 'Oh, I can play the heck out of that,' talk to your agent, and he says they don't want to see you. That's heartbreaking.
Rita MorenoRead
I started dancing almost before I could walk.
Interpretation
This quote highlights the innate connection between movement and self-expression, suggesting that dancing is a joyful and natural part of life.
Rita Moreno's quote reflects the idea that dance is not just a physical activity but a fundamental form of expression that can begin at a very early age. It underscores the notion that art and creativity are intrinsic to our being and can emerge naturally, illustrating how movement becomes a vital part of personal identity and joy.
In practice
This quote can be shared at a dance recital to emphasize the joy of movement from a young age.
You see a script, and you say, 'Oh, I can play the heck out of that,' talk to your agent, and he says they don't want to see you. That's heartbreaking.
I'm trying as hard as I can to keep pushing the boundaries of what a woman is capable of doing. And it turns out there's a lot we can do. There's a lot we can speak about.
No one's going to tell me how to make my own choices. For too many years, everybody told me what to say and what to do and how to be.
What musical performers bring to straight characterizations is that physical flexibility that comes with knowing your body so well. A lot of actors are terribly awkward. Terribly. And I think it's so important for them, when they're young, to work on their physical selves.
I've always had this image of this strong, sprightly person who is undaunted by anything; on the contrary, I was one of the shyest, most unsure people you ever met in your life. But I have one very specific quality: I'm plucky. I really am. I would say that's a perfect description of my personality.
I was determined that with perseverance and faith, at some point, someone would say, 'This girl has talent,' and would cast me in something meaningful.
Literature... is the union of suffering with the instinct for form.
Most of us have the residue of thousands of songs in our ears, that if you end up songwriting, I think you're mostly smoking the residue of all that material you absorbed over time.
All intervening steps, scribbles, sketches, drawings, failed work models, studies thoughts, conversations, are of interest. Those that show the thought process of the artist are sometimes more interesting than the final product
It seems this is an age of clever critics who keep bewailing the fact that there are no works worthy of criticism.
Choreography is writing on your feet.
Our scribblings are usually not lyrics but whirrings, without colour or resonance, like the tone of an engine-wheel. I believe that the cause lies in the fact that when people write, they forget for the most part to dig deeply into themselves and to feel the whole import and truth of what they are writing.
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