A work of art may be understood as a conductor from the artist's mind to the viewer's. But it may never reach the viewer, or it may never leave the artist's mind.
Sol LewittRead
All intervening steps, scribbles, sketches, drawings, failed work models, studies thoughts, conversations, are of interest. Those that show the thought process of the artist are sometimes more interesting than the final product
Interpretation
The process of creation is often as valuable as the final artwork itself.
Sol Lewitt emphasizes the importance of the creative process in art, suggesting that the various stages an artist goes through—such as sketches, models, and discussions—can be more revealing and meaningful than the finished piece. This perspective invites appreciation for the journey of creativity and the evolution of ideas that lead to the final outcome.
In practice
In an art critique, one might use this quote to highlight the significance of an artist's creative journey.
A work of art may be understood as a conductor from the artist's mind to the viewer's. But it may never reach the viewer, or it may never leave the artist's mind.
Once it is out of his hand the artist has no control over the way a viewer will perceive the work. Different people will understand the same thing in a different way.
The system is the work of art; the visual work of art is the proof of the System. The visual aspect can't be understood without understanding the system. It isn't what it looks like but what it is that is of basic importance.
Artists are mystics rather than rationalists. They leap to conclusions that logic cannot reach.
Buying books was a way anyone could acquire a work of art for very little.
Unless you're involved with thinking about what you're doing, you end up doing the same thing over and over, and that becomes tedious and, in the end, defeating.
It so happened that Lucy, who found daily life rather chaotic, entered a more solid world when she opened the piano. She was then no longer either deferential or patronizing; no longer either a rebel or a slave.
To most people who look at a mobile, it's no more than a series of flat objects that move. To a few, though, it may be poetry.
A woman’s beauty lies, not in any exaggeration of the specialized zones, nor in any general harmony that could be worked out by means of the sectio aurea or a similar aesthetic superstition; but in the arabesque of the spine. The curve by which the back modulates into the buttocks. It is here that grace sits and rides a woman’s body.
I'm sad to see celluloid go, there's no doubt. But, you know, nitrate went, by the way, in 1971. If you ever saw a nitrate print of a silent film and then saw an acetate print, you'd see a big difference, but nobody remembers anymore. The acetate print is what we have. Maybe. Now it's digital.
I made myself into a poet because it was the first thing I really loved. It was an act of will.
Tragedy is the highest form of art.
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