Childhood lasts all through life. It returns to animate broad sections of adult life... Poets will help us to find this living childhood within us, this permanent, durable immobile world.
We believe we can also show that words do not have exactly the same psychic "weight" depending on whether they belong to the language of reverie or to the language of daylight life-to rested language or language under surveillance-to the language of natural poetry or to the language hammered out by authoritarian prosodies.
Interpretation
What this quote means
This quote explores the varying emotional and psychological impact of language based on context.
Gaston Bachelard suggests that words carry different meanings and emotional weights depending on their context and the state of mind of the speaker or listener. He contrasts the fluid, imaginative quality of 'language of reverie' with the more rigid and controlled nature of 'language of daylight life,' implying that language can shift in its emotional resonance depending on whether it is used in a free, creative setting or in a more structured, authoritarian environment.
Themes
In practice
Example use cases
In a speech on creativity, one might use this quote to emphasize the importance of imaginative language.
More from Gaston Bachelard
All quotes →Of course, any simplification runs the risk of mutilating reality; but it helps us establish perspectives.
Nobody knows that in reading we are re-living our temptations to be a poet. All readers who have a certain passion for reading, nurture and repress, through reading, the desire to become a writer.
Ideas are refined and multiplied in the commerce of minds. In their splendor, images effect a very simple communion of souls.
In order to dream so far, is it enough to read? Isn't it necessary to write? Write as in our schoolboy past, in those days when, as Bonnoure says, the letters wrote themselves one by one, either in their gibbosity or else in their pretentious elegance? In those days, spelling was a drama, our drama of culture at work in the interior of a word.
How is it possible not to feel that there is communication between our solitude as a dreamer and the solitudes of childhood? And it is no accident that, in a tranquil reverie, we often follow the slope which returns us to our childhood solitudes.
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