I really do live for the future, because when I'm eating a box of candy, I can't wait to taste the last piece.
Andy WarholRead
I always like to see if the art across the street is better than mine.
Interpretation
Andy Warhol expresses a competitive nature in the world of art.
In this quote, Andy Warhol highlights the inherent rivalry among artists, as he reflects on his tendency to compare his artwork with that of others. This perspective not only illustrates the pursuit of excellence in art but also reveals the importance of observing and learning from the work of peers to inspire personal growth and creativity.
In practice
In an art critique session, this quote might inspire artists to share their thoughts on competition.
I really do live for the future, because when I'm eating a box of candy, I can't wait to taste the last piece.
Fantasy love is much better than reality love. Never doing it is very exciting. The most exciting attractions are between two opposites that never meet.
I love Los Angeles. I love Hollywood. They're beautiful. Everybody's plastic, but I love plastic. I want to be plastic.
Being good in business is the most fascinating kind of art
I never wanted to be a painter; I wanted to be a tap dancer.
I like to be the right thing in the wrong space and the wrong thing in the right space. But usually being the right thing in the wrong space and the wrong thing in the right space is worth it, because something funny always happens.
Monet is only an eye, but my God, what an eye!
We must never confuse elegance with snobbery.
I chose poetry. Actually, poetry chose me.
The labor into which a heart has poured its whole love--where will it have its say, to excite and inspire, and when?
I do fashion to tell a narrative.
My working method has more often than not involved the subtraction of weight. I have tried to remove weight, sometimes from people, sometimes from heavenly bodies, sometimes from cities; above all I have tried to remove weight from the structure of stories and from language. . . . Maybe I was only then becoming aware of the weight, the inertia, the opacity of the world--qualities that stick to the writing from the start, unless one finds some way of evading them.
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