Never boss people around. It's more important to click with people than to click the shutter.
Alfred EisenstaedtRead
I always prefer photographing in available light – or Rembrandt-light I like to call it – so you get the natural modulations of the face. It makes a more alive, real, and flattering portrait.
Interpretation
The quote emphasizes the beauty of natural lighting in photography for capturing authentic and flattering portraits.
Alfred Eisenstaedt's quote suggests that natural light, particularly in the style reminiscent of Rembrandt, enhances the quality of photography by revealing the natural contours and expressions of the subject's face. This approach creates a more genuine and engaging portrait, as it highlights the subject's true essence and character through subtle variations in light and shadow.
In practice
This quote would be perfect for a photography workshop focusing on natural light techniques.
Never boss people around. It's more important to click with people than to click the shutter.
Today's photographers think differently. Many can't see real light anymore. They think only in terms of strobe - sure, it all looks beautiful but it's not really seeing. If you have the eyes to see it, the nuances of light are already there on the subject's face. If your thinking is confined to strobe light sources, your palette becomes very mean - which is the reason I photograph only in available light.
I dream that someday the step between my mind and my finger will no longer be needed. And that simply by blinking my eyes, I shall make pictures. Then, I think, I shall really have become a photographer.
Retire? Retire from What? Life? I will only retire when I am dead!
People will never understand the patience a photographer requires to make a great photograph, all they see is the end result. I can stand in front of a leaf with a dew drop, or a rain drop, and stay there for ages just waiting for the right moment. Sure, people think I'm crazy, but who cares? I see more than they do!
Yes, I sold buttons to earn living. But I took pictures to keep on living. Pictures are my life – as necessary as eating or breathing.
Mike Forsberg's images give us bright openings onto a world. . . . Here on the Great Plains both people and trees and everything else are in some way shaped by wind and weather. This book, too, has been shaped by where it comes from, and that's just a part of its beauty.
Creativity is the residue of time wasted.
Good actors I've worked with all started out making faces in a mirror, and you keep making faces all your life.
Photography helps people to see.
The curves of your lips rewrite history.
Art is an experience, not an object.
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