Never boss people around. It's more important to click with people than to click the shutter.
Alfred EisenstaedtRead
Today's photographers think differently. Many can't see real light anymore. They think only in terms of strobe - sure, it all looks beautiful but it's not really seeing. If you have the eyes to see it, the nuances of light are already there on the subject's face. If your thinking is confined to strobe light sources, your palette becomes very mean - which is the reason I photograph only in available light.
Interpretation
The quote emphasizes the importance of recognizing and utilizing natural light in photography rather than relying solely on artificial lighting sources.
Alfred Eisenstaedt highlights the distinction between photographers who rely heavily on artificial lighting and those who appreciate the subtleties of natural light. He advocates for the latter approach, suggesting that true artistry in photography comes from capturing the nuances of light that exist naturally on the subject, leading to a richer and more authentic portrayal.
In practice
A photography workshop on understanding natural light in outdoor settings.
Never boss people around. It's more important to click with people than to click the shutter.
I dream that someday the step between my mind and my finger will no longer be needed. And that simply by blinking my eyes, I shall make pictures. Then, I think, I shall really have become a photographer.
Retire? Retire from What? Life? I will only retire when I am dead!
I always prefer photographing in available light – or Rembrandt-light I like to call it – so you get the natural modulations of the face. It makes a more alive, real, and flattering portrait.
People will never understand the patience a photographer requires to make a great photograph, all they see is the end result. I can stand in front of a leaf with a dew drop, or a rain drop, and stay there for ages just waiting for the right moment. Sure, people think I'm crazy, but who cares? I see more than they do!
Yes, I sold buttons to earn living. But I took pictures to keep on living. Pictures are my life – as necessary as eating or breathing.
Theatre for a New Audience is one of America's most admirable and exciting theatre companites...some of the best acted and directed work to be found on American stages, engaging with the canon of world dramatic literature in a vigorous way.
Why are all the artists so dead-set on distorting? It seems to be a reaction against photography, but I'm not sure.
As a magician, I try to show things to people that seem impossible. And I think magic, whether I'm holding my breath or shuffling a deck of cards, is pretty simple. It's practice, it's training, and It's practice, it's training and experimenting, while pushing through the pain to be the best that I can be. And that's what magic is to me.
There is still a real need for good quality architecture, not paper architecture, but the real stuff.
I like racing but food and pictures are more thrilling. I can't give them up. In racing you can be certain, to the last thousandth of a second, that someone is the best, but with a film or a recipe, there is no way of knowing how all the ingredients will work out in the end. The best can turn out to be awful and the worst can be fantastic. Cooking is like performing and performing like cooking.
My attempt has been really to, beyond making a record of contemporary life, which is what you inevitably do, is trying to make beautiful books - books that are in some way beautiful, that are models of how to use the language, models of honest feeling, models of care.
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