If certain books are to be termed 'immigrant fiction,' what do we call the rest? Native fiction? Puritan fiction? This distinction doesn't agree with me.
Jhumpa LahiriRead
I always think first about the nature of the story. When I had the idea for 'The Namesake,' I felt that it had to be a novel - it couldn't work as a story.
Interpretation
The quote emphasizes the importance of understanding the essence of a story before deciding its form.
Jhumpa Lahiri's quote reflects the crucial aspect of storytelling where the nature of the narrative dictates its medium. In her experience with 'The Namesake,' she recognized that the depth and complexity of the story required the expansive nature of a novel rather than the brevity of a short story, showcasing the interplay between content and form in literature.
In practice
In a writing workshop, this quote could inspire discussions about choosing the right format for different story ideas.
If certain books are to be termed 'immigrant fiction,' what do we call the rest? Native fiction? Puritan fiction? This distinction doesn't agree with me.
When I sit down to write, I don't think about writing about an idea or a given message. I just try to write a story which is hard enough.
When I am experiencing a complex story or novel, the broader planes, and also details, tend to fall away.
I think each time you start a story or novel or whatever, you are absolutely at the bottom of the ladder all over again. It doesn't matter what you've done before.
The sky was different, without color, taut and unforgiving. But the water was the most unforgiving thing, nearly black at times, cold enough, I knew, to kill me, violent enough to break me apart. The waves were immense, battering rocky beaches without sand. The farther I went, the more desolate it became, more than any place I'd been, but for this very reason the landscape drew me, claimed me as nothing had in a long time.
On the technical side, I hope that my writing is evolving and maturing, ripening, deepening.
The best art is realized when you can share the experience of making of it and not just the presentation of it, so that the audience is part of the creation and not just part of the consumption. Then it becomes much more full-bodied and robust.
Architecture, like dance, is also a language - one that everybody understands.
The thing that I've always been slightly frustrated with, was that the idea of a CD is kind of confined to a material possession that you can put on a shelf. And the idea of music, for me, is always about both the communication and the sharing of content. And so the interactive part is missing.
It's a luxury to be able to tell a long form story. I love novels, and I love to have a long relationship with characters.
The painting is finished when the idea has disappeared.
If technique is of no interest to a writer, I doubt that the writer is an artist.
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