I felt like, 'How do I fit in'? I'm battling. But then I never fit in!'... I thank God for somebody like Pharrell who stayed in my ear. For him, at that time, 'Happy' was everywhere; he didn't have to share anything with me.
Missy ElliottRead
I always said if a man would have done half the records that I've done, we would know about it. But we don't know all the records I've done for other artists.
Interpretation
Missy Elliott emphasizes the importance of recognizing the behind-the-scenes contributions artists make to various works.
In this quote, Missy Elliott reflects on her extensive body of work, highlighting that while her individual achievements are often celebrated, the collaborations and records she has created for other artists often go unnoticed. This underscores the idea that many talented individuals contribute to the success of others, and their efforts are equally significant, yet less acknowledged.
In practice
During a speech at an awards ceremony to highlight the importance of collaborative work in the music industry.
I felt like, 'How do I fit in'? I'm battling. But then I never fit in!'... I thank God for somebody like Pharrell who stayed in my ear. For him, at that time, 'Happy' was everywhere; he didn't have to share anything with me.
I'm blessed to be living this dream of writing and singing, but that's not the real dream I had. The real dream was to make enough money to take care of all the pain and suffering that my mother has been through.
I feel like, O.K., if I can make it as a singer, then let me try rapping. If I can make it as a rapper, then let me try writing. All right? If I make it as a rap singer and writer, then why not try to produce? I don't feel limited in any way.
A lot of people don't know a lot of records that I've written or produced, so that's a highlight for me as a woman.
I didn't want to just be an artist and let someone else have all that control over me. I knew I would have to produce.
And basically I always said when I was little that if I ever became successful or a celebrity, I would buy her this huge house and she would never have to work anymore. And I've done that. So I feel happy about doing that.
I know people said I wasn't selling out in America, but that was entirely untrue. We sold out all over the world, and every night I looked out into the fans and those front rows that you're talking about, the tears, the honesty, the inability to not be completely overjoyed because they felt accepted.
I see N.Y. hip-hop like I see N.Y. streets. N.Y. streets are grimy; it's a grind. N.Y. rappers are hustlers - whatever sound is in, we can adapt to that; there's nothing wrong with that.
I can sing very comfortably from my vantage point because a lot of the music was about a loss of innocence, there's innocence contained in you but there's also innocence in the process of being lost.
The Blues are the true facts of life expressed in words and song, inspiration, feeling, and understanding.
People don't want rap to be anything other than it is. But genres expand. My contributions, no matter how they sound, will always be rap, because they'll always be black.
A lot of people from my generation of music are so focused on playing things correctly or to perfection that they're stuck in that safe place.
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