Music isn't about music, it's about life.
Herbie HancockRead
In World War II, jazz absolutely was the music of freedom, and then in the Cold War, behind the Iron Curtain, same thing. It was all underground, but they needed the food of freedom that jazz offered.
Interpretation
Jazz symbolizes freedom and resistance during difficult times in history.
Herbie Hancock emphasizes the role of jazz as a powerful form of expression and resistance during tumultuous periods, particularly during World War II and the Cold War. He highlights how jazz music served as an underground lifeline for those seeking freedom and artistic expression in oppressive environments.
In practice
A musician might quote this during a speech about the historical significance of jazz.
Music isn't about music, it's about life.
I don't mind being classified as a jazz artist, but I do mind being restricted to being a jazz artist. My foundation has been in jazz, though I didn't really start out that way. I started in classical music, but my formative years were in jazz, and it makes a great foundation.
I think people have learned that Herbie Hancock can be defined as someone that you won't be able to figure out what he's going to do next. The sky is the limit as far as I'm concerned.
One thing that sticks in my mind is that jazz means freedom and openness. It's a music that, although it developed out of the African American experience, speaks more about the human experience than the experience of a particular people.
I started off with classical music, and I got into jazz when I was about 14 years old. And I've been playing jazz ever since.
It's easy to get sidetracked with technology, and that is the danger, but ultimately you have to see what works with the music and what doesn't. In a lot of cases, less is more. In most cases, less is more.
Videos destroyed the vitality of rock and roll. Before that, music said, "Listen to me." Now it says, "Look at me."
The trouble is now, with rock'n'roll and stuff, it gets so big that it loses what once upon a time was a magnificent thing, where it was special and quite elusive and occasionally a little sinister and it had its own world nobody could get in.
Very few of the men whose names have become great in the early pioneering of jazz and of swing were trained in music at all. They were born musicians: they felt their music and played by ear and memory. That was the way it was with the great Dixieland Five.
All music is based on country music. And that's why so many different kinds of people relate to it. There are more country music fans in New Jersey than there are down South.
Some kids in Italy call me 'Mama Jazz; I thought that was so cute. As long as they don't call me 'Grandma Jazz.'
I used to think that all my Wings stuff was second-rate stuff, but I began to meet younger kids, not kids from my Beatle generation, who would say, We really love this song.
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