People have told me that Ive helped them feel confident, like they can say things they want to say. They can talk about feminism in class without people calling them a lesbian. Thats so amazing that I can make someone feel like that.
With pop music and pop musicians, you know everything about everyone all the time, particularly their physical appearance. With female musicians, that's made a big thing of, and I think people, certainly with me, have appreciated a bit of mystery.
Interpretation
What this quote means
The quote highlights the scrutiny musicians face, especially women, regarding their appearance and the value of maintaining some mystery.
Lorde expresses her thoughts on the constant exposure and expectation of transparency in the music industry, particularly for female artists. She points out that while audiences may feel they know everything about musicians, especially their physical looks, this can detract from the allure of the artist and the music itself. Lorde values the element of mystery, suggesting that not everything should be laid bare for public consumption, as it can enrich the artistic experience.
Themes
In practice
Example use cases
In a lecture about the representation of women in the music industry, this quote could serve as a point of discussion.
More from Lorde
All quotes →I think young people are the most creative and the coolest - people that we should be learning from. Even when I'm at a party, I'm analyzing it and thinking about it in the context of how I would write about it. That side of me never switches off.
People respond to something which intrigues them instead of something that gives them all the information - particularly in pop, which is, like, the genre for knowing way too much about everyone and everything.
Everyone’s competing for a love they won't receive.
Don't let some random comment that you wouldn't have even thought about overshadow something important that you were actually trying to say.
Similar quotes
They gave their money, and they gave their screams. But the Beatles kind of gave their nervous systems. They used us as an excuse to go mad, the world did, and then blamed it on us.
It's funny: Your relationship changes with a song over time. After a year or so, you're a different person, so your songs, you don't connect with them like you did.
Hip-hop kind of absorbed rock in terms of the attitude and the whole point of why rock was important music. Young people felt like rock music was theirs, from Elvis to the Beatles to the Ramones to Nirvana. This was theirs; it wasn't their parents'. I think hip-hop became the musical style that embraces that mentality.
Blues was my first love. It was the first thing where I said, 'Oh man, this is the stuff.' It just sounded so raw and honest, gut-bucket honest. From then I started rebelling.
We were never a band that did 96 takes of the same thing. I had heard of groups that were into that kind of excess around that time. They'd work on the same track for three or four days and then work on it some more, but that's clearly not the way to record an album. If the track isn't happening and it creates some sort of psychological barrier, even after an hour or two, then you should stop and do something else. Go out: go to the pub, or a restaurant or something. Or play another song.
Will punk rock ever die? Pal, if you have to ask it's dead to you.