It's great when you play to an audience that knows the words to all your songs, and sings them back to you.
Chris CornellRead
Hip-hop kind of absorbed rock in terms of the attitude and the whole point of why rock was important music. Young people felt like rock music was theirs, from Elvis to the Beatles to the Ramones to Nirvana. This was theirs; it wasn't their parents'. I think hip-hop became the musical style that embraces that mentality.
Interpretation
Hip-hop reflects the rebellious spirit of rock music, resonating with the youth's desire for ownership over their musical identity.
In this quote, Chris Cornell expresses how hip-hop has inherited the rebellious and youthful attitude that was central to rock music's appeal. He points out that just as rock music represented a generation's expression, hip-hop has emerged as a new form of musical identity for young people, embodying their thoughts, culture, and attitudes, making it distinctly theirs, separate from the influences of their parents' generation.
In practice
During a music discussion panel, to emphasize the evolution of music genres.
It's great when you play to an audience that knows the words to all your songs, and sings them back to you.
To me, music shouldn't be ego-driven. When you go out on stage and play songs, it is. But when you're sitting in a room, writing songs, it's a completely different process. It's a completely different place. It's a creative place, a musical place. It has nothing to do with who likes what.
When you become a parent, you leave a lot of things behind and refocus, maybe on how simple life really is and what few things there really are to worry about. And everything else can go by the wayside.
Being solo really lends itself to different interpretations - and everything is in the moment and on a whim. I never realised how far out you can go when you are by yourself.
A true musician, like Johnny Cash, should be able to walk into a room with nothing but an instrument and capture people's attention for two hours.
There's something about losing friends, particularly young people, where it's not something that you get over. I don't believe there's a healing process.
My introduction of Whitney was that if there's going to be one performer for the next generation who combined the beauty and lyric phrasing of a Lena Horne with those Gospel fiery roots of an Aretha Franklin, it would be Whitney Houston.
I consider every drummer that ever played before me an influence, in every way.
You want to figure out how you want to play the guitar; what your niche would be. Well you just start digging deeper. When you're digging deeper in rock and roll you're on a freight train heading straight for the blues.
People have been brainwashed into believing that it's got to be down or it wouldn't be blues. But it's not so. It's got to be a fact or it wouldn't be blues.
Clare Fischer was a major influence on my harmonic concept. He and Bill Evans, and Ravel and Gil Evans, finally. You know, that's where it really came from. Almost all of the harmony that I play can be traced to one of those four people and whoever their influences were.
I'm going to be singing Dreams and Rhiannon when I'm 75 - and that's just fine with me. I just hope my chiffon doesn't get tangled in my rocking chair.
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